What Color Was Jesus’ Robe When He Was Put On Trial And Executed?

Was the robe of Jesus Scarlet or Purple?

While all four gospels agree that the Roman soldiers who mocked and tormented Jesus wrapped him in a robe in order to insult him, they appear to dispute on the color of the garment they used to mock and abuse him. Was Jesus’ garment made of purple or crimson material? As the sun begins to set, colors become more subdued. Take a look at what we found:

  1. Robe of Jesus was Scarlet
  1. The Bible says in Matthew 27:28, ″They stripped Him and put a scarlet robe on Him.″ The Bible says in Matt. 27:31, ″After they had mocked Him, they took the scarletrobe off him and put His own garments back on Him, and led Him away to be crucified. ″
  2. The Bible says in Matthew 27:28, ″They stripped Him and put a scarlet robe on Him.″
  1. Robe of Jesus was Purple
  1. ″They dressed Him up in purple, and after twisting a crown of thorns around His head, they put it on Him,″ says Mark 15:17. ″After they had humiliated Him, they stripped Him of His purple robe and placed His own clothing on Him,″ says Mark 15:20. ″And they brought Him out to be crucified.″ ″And the soldiers twisted together a crown of thorns and laid it on His head, and they clothed Him in a purple garment,″ says John 19:2, ″and the soldiers clothed Him in a purple robe.″ The Bible says in John 19:5 that ″Jesus then came forth, wearing the crown of thorns and the purple robe.″ ″Look, here’s the Man!″ Pilate said to them.

The garment of Jesus was either crimson or purple.To find out the answer to the question, we must first look at the colors and figure out what they are.Below is a chart that compares the colors scarlet and purple in different hues, as represented by the hex code.

  1. The direct color presentation is seen in the upper grid.
  2. It is the same presentation as the top grid, with the exception that it has a translucent shade over it.
  3. The shade is intended to replicate poor lighting conditions, such as those that would have been within Pilate’s palace when they laid Jesus’ robe over his shoulders.
SCARLET PURPLE
Light ScarletDD3131 Light Purple663399
Scarlet8C1717 Purple800080
Dark Scarlet660319 Dark Purple660066

As you can see, depending on the shade and the lighting, the colors are both distinct and very similar.For example, dark crimson and dark purple are extremely similar in appearance.When the lighting is bad, the contrast between the two hues becomes much more difficult to distinguish since the colors look deeper.

  1. As a result, it’s possible that the robe was merely a dark hue that might have been characterized appropriately by either term.
  2. Another idea is that the robe was constructed of two different hues that were stitched together because of their resemblance.
  3. However, this theory does not appear to be a good fit.

[Answer] What color was Jesus’ robe when he was put on trial and executed?

.1. The color blue 2. The color scarlet 3. White; 4. Gold; 5.

Step 2: Answer to the question ″What color was Jesus’ robe when he was put on trial and executed?″

Scarlet – While Jesus was being executed, the soldiers gambled to see who would get to keep his scarlet robe as a souvenir. While he was busy dying on their behalf, these guys mocked and played games for his clothes. And yet, Jesus still asked God to forgive their ignorance.:

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Question

What color was Jesus’ robe, and where did it come from? Matthew 27:28, Mark 15:17, and John 19:2 are all biblical references.

Answer

Matthew 27:28 They took him down to his underwear and wrapped him in a red robe.Mark 15:17 They dressed him in a purple robe and then twisted a crown of thorns together and placed it on his head.Mark 15:20 And when they had finished mocking him, they stripped him of his purple robe and dressed him in his own garments.

  1. Then they took him outside to be crucified.
  2. John 19:2 On his head, the soldiers twisted together a crown of thorns, which they placed on his head.
  3. They dressed him in a purple robe, which he wore.
  4. John 19:5 Then, as Jesus walked out the door, wearing the crown of thorns and the purple robe, Pilate announced to the crowd, ″Here is the man!″ The gown is described as ″scarlet″ in Matthew, whereas Mark and John describe it as ″purple.″ That the robe was one of these colors or a combination of the two implies that it was a shade of either of them.
  5. Colors that are tinted similarly to one another can appear to be very similar.
  • Take, for example, the hex codes scarlet560319 and purple660066 as examples.
  • However, the garment was most likely a military cloak, and the color, which indicated monarchy, was meant to ridicule Jesus’ claim to be the King of the Jews, according to scholars.

Related Resources:

Rahab and Joshua’s Covenant (Joshua 2:14-23).

What color was Jesus wearing when he was crucified?

Purple It is fitting that Jesus’ crucifixion be marked by the color purple since it was during this time that he bore our sins in his own body and put them to death on the cross. It is true that Jesus was given a ″beautiful robe″ in Luke 23:11, but this does not imply that there is an inaccuracy in any of the gospel stories!

What is the thing that Jesus wears?

Known variously as the Holy Robe, Holy Tunic, Holy Coat, Honorable Robe, and Chiton of the Lord, the Seamless Robe of Jesus is believed to have been worn by Jesus during or immediately before his crucifixion.

What happened to Jesus clothes after he was crucified?

After stating ″I am thirsty,″ Jesus was stripped of his garments and served vinegar mixed with myrrh or gall (posca), which he accepted after saying ″I am thirsty.″ He was subsequently hanged between two convicted robbers, and, according to the Gospel of Mark, he died by the ninth hour of the day after being beheaded (at around 3:00 p.m.).

What kind of robe did Jesus Wear when he was crucified?

″After they had humiliated Him, they stripped Him of His purple robe and placed His own clothing on Him,″ says Mark 15:20 (NIV).″And they brought Him out to be crucified.″ As recorded in John 19:2: ″And the soldiers twisted a crown of thorns together and placed it on His head, and they clothed Him in a purple garment.″ John 19:5 (KJV) ″Jesus then emerged from the tomb, adorned with a crown of thorns and a purple robe.

Why was Jesus stripped of his clothes on the cross?

We would want to make a quick comment on this subject, but first, let us consider an episode that may have included Christ being stripped of His clothes—or at least a significant portion of his clothing. A preacher recently claimed that Jesus was completely nude when the soldiers removed His garment and placed the ″scarlet robe″ on Him.

When did Jesus get his clothes back from the Romans?

After being subjected to torture by the Roman troops, he was given his own garments back (John 19:5, Matthew 27:31). Four Roman soldiers attempted to split the high-quality clothing that Christ wore by lot after he had been crucified, but they were unsuccessful.

Is it true that Jesus was crucified with a loincloth?

The ″near nude victim″ is mentioned in the Wycliffe Bible Encyclopedia, which is a Christian publication (p. 405). ″Men were typically crucified nude,″ writes William Lane, who believes that Jewish tradition permitted for the wearing of a loincloth by the condemned Jesus (Artemidorus II. 61).

Pastor explains significance of the purple robe

What is the meaning of the purple garment that was placed over Jesus’ shoulders during his crucifixion?S.Baker from Prince George, Virginia As an example, clothing for simple people was typically drab and unbleached throughout biblical times.

  1. It was made by hand, generally from the wool of sheep or goats.
  2. Only the wealthy could purchase pricey, hand-dyed fabrics.
  3. Because they were handsomely compensated, Roman troops could not only purchase luxurious apparel, but they could also steal everything they desired from captive populations.
  4. When the soldiers mocked Jesus, they covered him with a robe, which we don’t know where it came from or how it got there.
  5. In addition to the robe, they presented him with a crown of thorns and a reed as a scepter.
  • They referred to him as the ″king of the Jews″ and slapped him while pulling his beard out of his mouth.
  • All of the events leading up to Jesus’ death were foreshadowed: the jeering mob, his flogging, his piercing, and even the earthquake.
  • When Isaac’s substitutionary ram in Genesis 22:13 is stuck in a thicket of thorns, it is inferred that the crown of thorns is being worn.

The reed was a weed, similar to the ones that sprouted for Adam after the Fall of Man.Even the color of his robe has symbolic significance.In Luke 23:11, it is simply referred to as a ″beautiful garment.″ According to Matthew 27:28, it was a red garment.According to the book of Numbers, the Tabernacle is a representation of the service of Jesus as our High Priest.Scarlet had been draped over the top of it.However, according to Mark 15:17 and John 19:2, Jesus was dressed in a purple robe.

Is this a conflict of interest?No, since there was no such thing as quality control back in those days.The dyes were not colorfast and frequently changed colours depending on the procedure of coloring them.

  • The same Greek term that is translated as purple may also refer to any hue between blue and red, or any shade ranging from violet to crimson.
  • The translations from Mark and John that refer to it as a purple robe are my favorites.
  • The entrance to the Tabernacle and the Temple Veil served as foreshadowing for this.
  • The single entry to the Tabernacle was to the east, and it was a long curtain with blue and red stripes on one end and white on the other.

The hues merged together in the center to become purple.Similarly, the Temple Veil that tore at the time of Jesus’ crucifixion was painted in the same color scheme: The color blue represented the sky, while the color red represented the red Judean hills, which represented mankind.Being transformed into purple symbolizes the God-Man, who, by his death, became the Door, the sole means of access to the Father for all of humanity.In John 14:6, Jesus stated, ″No man cometh to the Father but through me.″ – Dr.Tom Lovorn serves as the pastor of God’s Storehouse Baptist Church in Richmond, Virginia, where he has been for over a decade.

  • To keep up with the times, he publishes a weekly religious section for The Progress-Index.
  • You may email him your Bible questions through this newspaper or through his website, www.tomlovorn.us.
  • He will respond as soon as possible.

The Secret History of the Color Red

EDITORIAL FEATURE

Seeing red? Explore the unexpected history of this seductive color

What if I told you that humans see red as the first color they see after seeing black and white?In fact, it is the color that neonates perceive first, before any other, and it is the color that adults suffering from temporary color blindness following a brain damage begin to perceive again.Despite the fact that different civilizations created their names for colors at various eras and in a variety of methods, practically all of them called them in the same sequence as red.

  1. With just a few exceptions, the order of the labeling colors was normally black first, followed by white, red, and then green, yellow, and blue, with black being the last color.
  2. Scientists have hypothesized that cultures evolved names for colors based on whatever hues elicited the biggest emotional response from them.
  3. In other words, humans have had strong sentiments towards the color red for thousands of years, much like bulls, according to legend.
  4. Over time, the color red has come to represent strength, love, energy, and beauty.
  5. Do you want to discover why this is so?
  • Join us on a trip through time to uncover the intriguing history of the most powerful hue on the planet…
  • Painting the Cave with Red is the first step.
  • Scientists have discovered evidence that Stone Age hunters and gatherers crushed up red clay to manufacture body paint over 40,000 years ago, according to the National Geographic Society.

Other use included protection in the afterlife; for example, humans buried their deceased with red powder in order to fend off malevolent spirits during the Paleolithic era (or potentially neutralize odors).Red also made a splash in the pre-historic art world, according to some sources.Caves all around the world, from Africa to Asia to Europe, provide evidence of activities that took place during the Paleolithic epoch.Illustration of an extinct species of lion from the Djulirri rock art site in Northern Australia.Drawings were created on cave walls by painting red ochre on them, as shown in this illustration of an extinct species of lion from the Djulirri rock art site in Northern Australia.More than 11,000 paintings have been discovered all around the site, which is a world record.

This naturalist animal artwork, which dates back to 11,000 BCE, may be the world’s oldest surviving painting ever unearthed.a painting of an extinct animal from Djulirri, Western Arnhem Land in Australia, dating back to 11000 BCE (Collection: Australian Rock Art) 2.You’re in Love With a Lucky Number In many cultures throughout the globe, red has long been associated with the color of our blood and our hearts, and it has also been associated with love and faithfulness.

  • Some people even believe that wearing red jewelry and accessories will help them gain a leg up on the competition in the dating scene.
  • This necklace, which dates back to the 13th century BCE, is formed of red carnelian beads, with a gold central spacer that depicts the goddess Hathor, who is known as the goddess of love and happiness.
  • Red is also a common hue at weddings, dating back to Roman times when brides wore red scarves to symbolize love and loyalty, and continuing into modern times in China, where red is still considered lucky at weddings.
  • Chinese brides wear red wedding gowns, are carried to their nuptials on red litters, walk down the aisle on a red carpet, and are kissed under a crimson veil at their marriages, according to tradition.

Aside from that, the couple also receives red eggs as a present following the birth of their first kid.A necklace with a gold spacer (belonging to the goddess Hathor), dating to the 13th century BCE (Collection: The Israel Museum, Jerusalem) 3.The color red is lethal.The Romans enjoyed painting frescoes on the walls of their villas to give them a vibrant appearance.Being the newest in interior design, however, came with a cost, since the vivid red pigment they employed, vermillion, was produced from cinnabar, an ore of the very deadly mercury that was once abundant in the area.

  • Mining cinnabar from southern Spanish mines for Roman use was a dangerous occupation for which workers (typically slaves or criminals) were basically sentenced to death as a result of their activity.
  • Fragment of a wall with grotesques, around 70 CE (Collection: J.
  • Paul Getty Museum) 4.
  • The Blood of the Lamb The color red, which represents the blood of Christ, has played a significant part in the history of Christianity and in Christian imagery.
  • Cardinals wear red robes, and the color is prominent in clothes and fabrics worn in public worship services.
  • Adopting the hue was also a means for rulers in the Middle Ages to demonstrate their divinely granted authority to reign.
  1. For centuries, red was the color of royalty and power: Charlemagne donned red shoes during his coronation as a visual representation of his authority, and Louis XIV appeared in official photographs wearing the hue as well.
  2. Madonna della Lucca (1437), by Jan van Eyck (Collection: Städel Museum).
  3. 5.
  4. Prosperity and Good Fortune Red is one of the hues linked with the five elements of the world according to Chinese philosophy: red represents fire, yellow represents earth, white represents metal, black represents water, and green represents wood.
  5. The fire element, and hence the color red, is associated with energy, leadership, self-assurance, violence, and hypersensitivity, among other things.

Asked by their personal fortune tellers to choose a color that would bring the most prosperity and good fortune to their reign, red was the answer.Throughout the Zhou, Han, Jin, Song, and Ming Dynasties, red was the most prominent color in royal ceremonies and was used extensively in royal ceremonies throughout the world.Eleven of the thirteen Chinese Emperors seen in this Tang-era artwork depicting Chinese Emperors from the Han to the Sui dynasties wear red robes, representing their imperial authority.Chinese artist Yan Liben’s painting The Thirteen Emperors, from the second part of the 7th century CE (Collection: Boston Museum of Fine Arts) 6.

Bugs that are really valuable As soon as the Spaniards set foot on Mexican soil in the 1500s, they discovered textiles that had been painted a vibrant crimson.European dyeing materials (madder and kermes) were found to give a weaker, darker shade than those utilized in the United States.Cochineal, a little beetle that was scraped off cactuses, dried, and then crushed, was the Aztecs’ secret.

The Spaniards quickly established a sophisticated trading system to export cochineal to Europe, where it quickly rose to prominence as a (red) hot commodity.Approximately 500 AD to 700 AD, Unku with both staggered and linear patterns (Collection: MALI, Museo de Arte de Lima) Raise the alarm by raising red flags Leaders throughout history have worn red clothes as a means of displaying their authority for hundreds of years.Prior to her coronation as Queen, Princess Elizabeth I posed for this painting, which depicts a young lady poised to take on the responsibilities of a great queen.With her lavishly embellished red dress and matching crimson coif (close-fitting hat), the young woman sends a clear and unmistakable statement about her political and moral strength.Once monarchy fell, the color red was embraced by revolutionaries all over the world as a symbol of new liberties and freedoms: from the French Revolutionaries and their red phrygian caps to the Bolshevik, Cultural, and Cuban revolutionaries, the color red became a universal symbol of new liberties and freedoms.Elizabeth I as a Princess, 1546 – 1547, according to William Scrots’s attribution (Collection: Royal Collection Trust, UK) Which comes first: courage, sacrifice, and love or wrath, peril, and war?

  • It is possible to identify the color red with both the happiest and the most depressing emotions.
  • Given that red is the hue that provokes the most emotional responses, it should come as no surprise that its symbolism may be found on both sides of the emotional spectrum.
  • So the next time you’re stuck at a red light (in this case, red is a sign of danger), remember the revolutionary history of the color red (and maybe love too).
  • Here’s where you can find more artworks that feature the color red.
  • Alternatively, you might look at these fascinating facts about the colors blue and black instead.
  • Maude Bass-Krueger wrote the story.
  • Please tell a friend about this story.

Mary in Blue; Jesus in Red; Why so symbolic?

Both Jesus Christ and the Virgin Mary are shown in different colors in artistic representations of their respective characteristics.Jesus is frequently shown in red clothes, whereas Mary is depicted in blue.What are the meanings of certain colors, and why are they used?

  1. Is it for good or for ill?
  2. Paintings of the nativity scene frequently depict the newborn Jesus as being bathed in a radiant heavenly white light.
  3. Later depictions of Jesus would retain this white hue throughout their duration.
  4. However, when Jesus is shown in his manhood, he is dressed in clothes that are either vivid crimson or vermilion in color.
  5. At first glance, the usage of the color red indicates that it is a symbol of evil, sin, the devil, or hellfire.
  • However, it is also regarded as a symbol of Jesus’ death and the shed blood of the cross of Christ.
  • When it comes to Christmas, the color red has two connotations.
  • The first, like the second, alludes to Christ’s blood and death.

It became common to decorate the green wreath with red berries, with the green representing the birth of Jesus and the crimson representing his death and resurrection.The second usage of the color red at Christmas is to commemorate the red apples of the Paradise tree and the fall of Adam and Eve from the tree of knowledge.People would traditionally hang apples to the branches of apple trees during the Winter season, when the trees were bare.At some point, this became such a common practice that people began to tie them on Christmas trees.It’s rare to come across something so pure and rare.Because of the scarcity and high cost of blue dye, the color was frequently given a monetary value far greater than that of gold.

These qualities of color began to appear prominently in the portrayals of figures in art, but only for the most pure and heavenly of beings at that time.In the early 5th Century, the color blue became associated with the Virgin Mary, and she was depicted in paintings using the Marian Blue.It was because of the popularity of religious cults such as the worship of the Virgin and Mariology that this color became her official color.

  • The Madonna’s image began to take on a more maternal quality as a result of paintings created in the 15th Century.
  • She was also painted wearing both red with blue.
  • Mary was depicted with the duality of being both a royal and pure figure, as well as one exuding motherhood and passion, by her painters of the time, such as Rogier van der Weyden’s ‘The Crucifixion, with the Virgin and Saint John the Evangelist Mourning’ and Gentile da Fabriano’s ‘Nativity.’ Origins in the Bible It is the color blue, according to Dr.
  • R.

Jared Staudt, that symbolizes the Israeli people.This is based on references in the Bible’s book of Numbers.Numbers 15:38-39 states, ″Speak to the people of Israel, and bid them make tassels on the corners of their garments throughout their generations, and to put a cord of blue upon the tassel of each corner; and it shall be to you a tassel to look upon and remember all the commandments of the Lord, to do them, and not to follow after your own heart and your own eyes, which you are prone to follow wantonly.″ ″Speak to the Taking things a step further, it has been suggested that the Virgin Mary was a second Ark of the Covenant, with the Divine Presence of God believed to be contained within her body.’The Levites are to’spread a blue cloth over a white cloth’ (4:6).The Bible goes on to say, ″And they shall spread a blue cloth over the table of the bread of the Presence″ (4:7).

  • Numbers.
  • Colors that are heavenly Throughout the Byzantine and Orthodox eras, the colors of Jesus and Mary are portrayed together as either outer or inner garments.
  • The color blue is used to represent the holy and the concept of transcendence in this instance.
  • Red is hence associated with blood and the ground, according to traditional beliefs.
  • In this instance, Jesus is clad in crimson with a blue wrap around his waist.
  • This demonstrates his humanity, which is clothed with divinity.
  1. Mary, on the other hand, is the polar opposite, and this, according to legend, demonstrates that she gave birth to a celestial creature despite her humanity.
  2. Gender rolesAccording to writer Peggy Orenstein, the use of color in biblical pictures aids us in our understanding of gender colors in modern times.
  3. Colors like as crimson or more pink were traditionally associated with masculinity.
  4. The color blue, on the other hand, was associated with the purity and constancy of the Virgin Mary, and was consequently associated with the feminine.
  5. He asserts that, despite the fact that we today recognize these colors as being associated with the male and female genders, they were originally associated with the bond between mothers and their children.

As a result, in classical art, masculine figures, including Jesus, are often painted in a reddish/pink pastel tint of paint.Fast forward thousands of years, and the colors blue and pink have become synonymous with children’s marketing, according to Orenstein.BE THE FIRST TO KNOW ABOUT THE LATEST UPDATES Install the Newsbook App on your device.

Professors tell how Easter symbols ‘connect, make meaning of life’

THE BRISTOL HERALD COURIER’S LURAH LOWERY contributed to this report.For many people in the Mountain Empire, as well as the rest of America and the world, today marks the beginning of the Easter season, whether they practice their religious beliefs or participate in secular traditions such as watching the Easter bunny fill baskets with candy and going on egg hunts with their children.Spring is heralded by a slew of symbols, including white lilies, the cross with its purple belt, eggs, bunnies, butterflies, and the dogwood flower – all of which are associated with Easter.

  1. ″Some of them are derived from other traditions and were adopted by early Christians and European Christians to aid in the celebration of Easter,″ said Tim Harrison, a religion professor at Virginia Highlands Community College.
  2. ″What’s fascinating is how significant symbols are to humans in every part of their lives; this is true not only in Christianity, but throughout history.″ These symbols become means by which we connect and provide meaning to our lives, as well as a sense of purpose to our lives.″ White lilies are a beautiful flower.
  3. It was white lilies that originally became associated with Easter since they bloomed at around the same time as the Easter tide in warmer areas, according to Harrison.
  4. When the Irish employed it as a symbol, ″it got identified with the church very early in its history,″ he explained.
  5. ″Later on, it took on a different connotation when it was adopted by the Catholic Church.″ ″There are traditions that Easter lilies blossomed around the tomb of Jesus, where he was buried,″ says the author.
  • Don Hudson, assistant professor of religious studies at King University and chairman of the department of religion and philosophy, explained that white lilies grew increasingly popular in the medieval church.
  • According to him, they ″symbolize the resurrection, but they are particularly focused on purity.″ ″Some believe that Jesus’ tears, which fell before his death, transformed into white lilies, which also reflect the purity of the Virgin Mary.
  • White flowers, according to some accounts, were given to Mary by the angel Gabriel, and when Mary’s body vanished from her tomb three days after her death, white lilies were found.″ Easter lilies are traditionally used to decorate churches on Easter Sunday, but according to Becky Kelly, owner of Indoor Farms Greenhouses in Meadowview, Virginia, the use of these flowers has declined in the last four years.

″It appears that allergies are being used as a justification,″ she remarked.’They have a very strong aroma, and many individuals are allergic to the scent,’ says the author.She recommended white, pink, or blue hydrangeas, which she sells, as suitable alternatives.It has been brought to my attention that the breeders are working feverishly to create an odorless lily,″ Kelly stated.″Value appears to be becoming increasingly essential for everyone today, it appears.It’s gorgeous while a lily is in bloom, but it doesn’t last very long once it’s finished blooming.″ Anyone who purchases or receives an Easter lily may benefit from Kelly’s advice on how to properly care for the bloom.

They should be kept wet but not soggy, since this can cause the bulb to decay if left too long.The plant should be grown in well-draining soil, and after the flowers bloom, it is ideal to maintain the plant in strong light to ensure that the blooms persist for a longer period of time.Kelly said that lily bulbs may normally be planted in May after they have finished flowering.

  • The bulbs should be left in the ground throughout the winter and will bloom in the spring and summer.
  • Easter, according to Hudson, is the ″feeling of celebrating new life″ in and of itself.
  • As he explained, ″the majority of scholars believe that the Christians took what would have been a pagan festival and they basically appropriated and changed it so that Easter became a celebration of the resurrection of Christ; a celebration of new life and birth, and also of hope and joy.″ Even if Easter is inherited from pagan traditions, according to Hudson, this does not mean that it is not a ″particularly Christian event,″ but rather that it is a fusion of a variety of customs.
  • The cross and the purple sash serve as identifiers.

According to Hudson, another emblem of Easter is the cross, which represents the place where Christ was crucified.According to Harrison, the reason a purple belt is draped over the cross on Easter is to signify Jesus’ monarchy; he is not just the king of the Jews, but also the king of kings.He went on to say that the origins of the color purple’s significance can be traced back to early Christianity and that it is not only associated with Easter.Hudson stated that the purple sash and the cross are two symbols that are at odds with one another.In his words, ″the color purple represents excitement, passion, monarchy, and celebration, and it is shown on the cross as a symbol of the triumph of life over death.″ Death was symbolized by the cross, while life was celebrated extravagantly by the purple scarf, which symbolized victory over death.″ The egg, the Easter bunny, butterflies, and the dogwood tree are all symbols of spring.

  • According to Harrison, the egg is a highly prevalent emblem of Easter and in Christianity, it represents the beginning of a new life.
  • That is also true for the rabbit, which, according to him, is how the Easter bunny came to be invented.
  • ″It is a sign of springtime, joy, and life that has been accepted by European Christians, and it is through this that we have gotten the Easter bunny,″ he explained.
  • The butterfly, which has traditionally been seen as a sign of fresh life, is one emblem that has been ″lost″ to many, according to Harrison.
  • The dogwood tree and its blossoms, he claims, are a uniquely American symbol of the Easter season.
  • ″The dogwood tree was supposed to be the tree from which the cross was fashioned; however, this is tradition, and we now know that this was not the case,″ Harrison explained.
  1. ″If you look at the blossom of the dogwood, you will see the four petals arranged in a cross; you will also notice a splattering of blood on the flower itself; and then you will see a crown of thorns in the center.″ The message of Easter Easter services will be held in a variety of churches around the region today, but the messages will be different.
  2. In his sermon, Pastor Dwayne Baird of Victory Bible Fellowship in Bluff City, Tennessee, said he will discuss Christ’s ten appearances following his resurrection, as well as how he appears to people today via the written word of God, according to the church.
  3. Some of the appearances Jesus made that Baird will cover include his apparition to Mary Magdalene after he rose from the tomb, which can be found in Mark 16 of the Bible, according to Baird.
  4. He will also examine his appearance to the disciples after he rose from the grave.
  5. It made a second apparition on the road to Emmaus, while two men were traveling together.

Several choirs will be performing, and Pastor Keith Cobb of Cleveland Evangelical Presbyterian Church in Abingdon, Virginia, said he will talk on the ramifications of Jesus’ resurrection, including how it touched everyone in that time period and how it affected him.Cobb believes that a large number of people are confused about the ″big deal″ that is Easter.His presentation will cover the ramifications for the disciples, Jesus’ ″close friends,″ the weeping saints, God’s family, and for Jesus himself, among other things.The Christian rock band Newsboys will perform the song ″God’s Not Dead″ at the church, which will be performed by the church’s youth group.

In his lecture, Pastor Gordon Turnbull of First Presbyterian Church in Bristol, Tennessee, said he will speak about the resurrection of Jesus Christ, focusing addressing the disruption of expectations the disciples had as they approached the tomb.His comments on the tale in the gospel of Mark were based on the fact that ″the story in the Bible shows these ladies who go to the tomb of Jesus and go expecting one thing and discover something quite else,″ he remarked.In his words, ″I’m going to be highlighting that gap; that discontinuity between the world we know and the world of resurrection power.″ Get the latest local news sent directly to your inbox!

Why Jesus and Mary Always Wear Red and Blue in Art History

Despite the fact that we are progressively promoting progressive concepts about the numerous nuances of gender and sex, we continue to remain fast to old-fashioned principles.Take, for example, the hues pink and blue, which are used to represent the two most frequent gender identities.Although it is widely accepted in our culture, the notion that pink and blue reflect feminine and masculine attributes, respectively, is less established and less unchanging in its meaning than one might expect.

  1. It wasn’t until the first decade of the twentieth century that these soft pastel tones were originally identified with either infant boys or baby girls.
  2. To paraphrase Peggy Orenstein’s writing, ″pink was traditionally regarded to be a more manly color, a pastel counterpart of red.″ Because of its associations with the Virgin Mary, as well as its representations of constancy and devotion, blue was considered delicate.″ It’s unclear when the move happened, but blue for boys and pink for girls became the norm.
  3. According to Orenstein, ″in the mid-1980s, accentuating the inequalities in age and gender became a prominent approach of children’s marketing.″ According to Orenstein, the roots of the colors red and blue in terms of gender may be traced back to Christian theology.
  4. In spite of this, at first glance, the duality between these hues did not represent a division between male and female offspring, but rather a different kind of relationship—that of mothers and sons, or more precisely, that of Mary and Jesus.
  5. Take a detailed look at religious art that has been created during the last 700 years.
  • Have you seen anything that is consistent?
  • Mary is nearly always shown in blue, whilst Jesus is almost always depicted in red.
  • Throughout history, the color blue has been revered as a holy and priceless colour.

Because it is not a naturally occurring color, it is very mysterious and difficult to come by.A pure blue pigment derived from lapis lazuli, an expensive stone that was once more valuable than gold, was one of the very first to be created.Ultramarine was one of the first true blue pigments to be created.In art, it was only used for the most lofty of topics to achieve this status.It was roughly 6,000 years ago that the Egyptians began importing lapis lazuli from Afghanistan, but it wasn’t until the early 5th century that the color blue came to be connected with Virgin Mary.Because of the emergence of Mariology and the devotion of the Virgin, Marian blue, as the hue has come to be called, was designated as the Madonna’s official color.

After she was elevated to the highest echelons of the canon and proclaimed ″Queen of Heaven, Spiritual Mother, and Intercessor″ by the Church in 431, Byzantine artists began to produce stylized icons depicting the holy mother dressed in Marian-blue robes against flattened gold-leaf backgrounds, using the less expensive mineral azurite.Most of these icons depicted the Madonna as an overjoyed mother, carrying the newborn Jesus in her lap.In the 13th and 14th centuries,,, andwere among the first to depict the newborn Jesus in a brilliant pink gown, despite the fact that pink was not a fashionable hue at the time.

  • Pink, on the other hand, came to be associated with marriage later on.
  • This image of the child Jesus giving a pink flower to his mother comes from’s Madonna of the Pinks (1506–7), which represents the spiritual oneness that exists between them.
  • Moreover, as the Renaissance developed, the sorts of scenarios depicting the Virgin extended to incorporate additional storylines from Mary’s life, such as the Annunciation, the Nativity, and the Assumption, among other events.
  • ‘s The Rest on the Flight into Egypt (1512–15) depicts a scenario that is less anticipated, and the painting is nearly totally devoted to the sumptuous blue attire that drapes over the prominently positioned Madonna, who is gently nursing her infant in her arms.

Illustrations of Jesus in his latter years as an adult nearly often depict him clad in vivid red, or vermilion, a hue that has a variety of complex connotations.It can be used to symbolise sin, hellfire, or the Devil in Christian symbolism.However, it may also be used to refer to martyrdom or the blood of Christ.Even the ancient Greeks and Hebrews saw the color red as a romantic as well as a symbolic representation of sacrifice.It is possible to discern a certain maternal humility in’s Crucifixion, with the Virgin and Saint John the Evangelist Mourning (c.

  • 1460); Saint John, dressed in blush pink and supporting the bereaved mother as she faints.
  • An interesting feature of this painting is that the artist has included deep-red tapestries on the stone wall right behind Jesus’ cross and the Virgin, therefore emphasizing both Jesus’ martyrdom and Mary’s love for her son.
  • As Van der Weyden demonstrates, the mix of these hues may provide a painting with various, complex meanings, depending on the context.
  • Mary appears in’s Nativity (1420–22), where she is dressed in her trademark blue cloak with a scarlet chemise underneath.
  • While the blue gown symbolizes the Virgin’s purity and her royal dignity, the crimson garment portrays characteristics associated with motherhood, such as love, passion, and devotion, among other things.

Mary and the Colors of Motherhood

20th of February, 2015 2/20/15 The exhibition Picturing Mary: Woman, Mother, Idea features paintings of Mary holding her infant son Jesus on the walls.Following the Catholic Church’s approval of the worship of Mary as Mother of God in the 5th century, this classic ″Madonna and Child″ position, which is the most frequent visual portrayal of the two, gained widespread popularity throughout that period.This painting conveys an extended idea of motherhood through the individuals’ positions, as well as the characteristic colours of blue and red that Mary frequently wears.

  1. The Virgin Mary is not only Jesus’ mother, but she is also the mother of all mankind.
  2. But what exactly does becoming a mother entail?
  3. It is shown in Pontormo’s Madonna and Child (1527) that motherhood is defined by a mother’s physical and emotional intimacy to her child.
  4. The enormous figures of Mary and Jesus take up the majority of the image plane’s real estate.
  5. As Mary leans her son against her knee, the two figures grasp hands, and Jesus takes his mother’s bodice from beneath her.
  • Their heads are leaned toward one other, and their faces are filled with sweet, loving emotion.
  • All of these features serve to physically connect the Virgin Mary and Jesus, as well as to symbolize the profound tie that exists between mother and child.
  • It is via the use of this stance, with Mary’s hand supporting her son’s back, that Pontormo demonstrates Mary’s supportive and loving attitude as a new mother.

Mary is dressed in her traditional blue cloak with a crimson shirt underneath, as shown above.The blue of her cloak, which is deeply rooted in Catholic symbolism, has been interpreted to represent the Virgin’s purity, to symbolize the skies, and to designate her as an empress, as blue was traditionally associated with Byzantine royalty.The color red on her blouse represents love, passion, and dedication, all of which are associated with motherhood and which are demonstrated by Mary’s presence at the Crucifixion.Like Pontormo’s artwork, Madonna and Child (ca.1450) by the Master of the Winking Eyes underlines Mary’s warm disposition and function as a mother.During this lighthearted scenario, Mary tickles her kid while her blue veil drapes over the tops of both their heads.

The sensitivity of the scenario is captured by their joyous grins and close physical closeness, while the golden background further emphasizes the lighter, humorous nature of their relationship.By showing Mary laughing with her child in a humanistic manner and highlighting Mary’s humanity in this way, the Master of the Winking Eyes shows Mary as a relatable mother who can be identified with.His mother’s veil, placed over both of their heads, represents both Christ’s human nature and the love tie that they had together.

  • Mary was frequently shown as the mother of all people, in addition to her role as the Mother of God.
  • One example of this wide concept of mother is the painting Mother of Mercy (Madonna della Misericordia) (1494) by an unknown artist.
  • The standing Virgin envelops the faithful in her cloak, which is a symbol of protection.
  • Known as ″Mother of Mercy″ in Latin, this picture type goes back to the 13th century and symbolizes the popular medieval notion of Mary as a mother to everyone who believes in her.

The depiction of Christ hovering above Mary’s womb alludes to her exalted nature, and her supernatural stature emphasizes her significance even further.Mary, in her function as a mother, is depicted in the other two paintings as a parental guardian, as well.Pictures of Mary portray both the diverse aspect of motherhood as well as the multifaceted character of the Virgin Mary herself in the exhibition Picturing Mary.The exhibition Picturing Mary was on display at the National Museum of Women in the Arts from December 5, 2014, until April 12, 2015.

About the Author

—Margie Fuchs worked as a publishing and marketing/communications intern at the National Museum of Women in the Arts throughout the winter and spring of 2015.

Spotlight on vermilion

The brilliant and distinctive red of vermilion has been used extensively throughout art history for thousands of years, from the art and decoration of ancient China and Rome to the manuscripts of the Middle Ages and the paintings of the Renaissance. Vermilion is a natural pigment that can be found in many different colors.

A beautiful but dangerous colour

Vermilion is a naturally occurring, opaque, orangish red pigment that was initially made from powdered mineral cinnabar, the ore of which includes mercury, making it a potentially hazardous substance.In truth, many of the miners who removed the ore paid a tremendous price, with many of them losing their lives, during ancient times.The word vermilion is derived from the French vermeil, which means any red dye, and the Latin vermiculum, which refers to a red dye produced by the insect Kermes vermilio.

  1. The term vermilion is also derived from the French vermeil, which means any red dye.

Ancient China takes the initiative

China is recognized as being the first country to successfully synthesize vermilion from mercury and sulphur.The first known account of this procedure dates back to the 8th century in Chinese literature.China red, as it came to be called, was a daily aspect of Chinese life, from palace red lacquers to printing pastes for personal name stamps to the red calligraphic ink reserved for emperors and other high-ranking officials.

The colour of victory

The Romans, who used vermilion to paint the faces of their victorious generals, were equally devoted to the color as were the Greeks.The vermilion-coated features were intended to be a match for the vermilion countenance of Jupiter Capitolinus, which can be found in the temple on Capitoline Hill.Because pure cinnabar was so scarce, vermilion became extremely expensive, to the point that the Roman government was forced to set the price at 70 sesterces per pound – ten times the price of red ochre – in order to keep the price stable.

Buyer beware

The history of vermilion, a highly valuable and much sought-after color, lasted until the 12th century, when synthetic vermilion was widely utilized across Europe.Given its high cost, it was largely employed to illuminate manuscripts, and vermilion was still included in illuminating kits accessible from the early to mid-19th centuries, when they were still available.The process for synthesizing vermilion became more widely used around the fourteenth century.

  1. Because of its consistency and control over the manufacturing process, synthetic vermilion was recognized as superior to the vermilion pigment generated from natural cinnabar from the beginning of its use.
  2. In his book Il libro dell’Arte, the Florentine artist Cennino Cennini offered some excellent do-it-yourself advise for vermilion customers: ″Always buy vermilion unbroken, and never pounded or pulverized.″ What is the explanation behind this?
  3. Because it is frequently tainted, either with red lead or with pounded brick,″ says the author.
  4. 1

The Dutch take control

The Dutch method of making vermilion has been in use since the seventeenth century.Sulfuric acid and mercury were mixed together to form black mercury sulfide, which was then cooked in an oven to produce vapour before being used in the process of making explosives.It was scraped off and treated with a strong alkali solution in order to eliminate the sulphur from the mercury sulphide when the vapour condensed, producing a bright red crystalline form of mercury sulphide.

  1. After the mixture was washed and ground underwater, the final pigment was created.
  2. The Dutch went back through the ages, basing their tactics on those that had been borrowed by the ancient Chinese.
  3. Until the 17th century, the names cinnabar and vermilion were used interchangeably to describe either the natural or synthetic pigment.
  4. It was only after this time that vermilion became the more common name for the pigment.
  5. By the late 18th century, the word cinnabar was typically reserved for the natural mineral cinnabar, which was not ground.

Pure and not so pure

By the middle of the nineteenth century, Chinese vermilion was widely regarded as the purest available, particularly when contrasted to the European type available at the time.A result of the exorbitant expense of cinnabar, European vermilion was frequently cut with less expensive materials such as brick dust, orpiment, iron oxide, Persian red, iodine scarlet, and red lead to get the desired color.This debasement of the cinnabar would frequently result in the final pigment becoming unstable in painters’ colors as a result of this degradation.

Winds of change

Since of the high expense and toxicity of vermilion, the art world lost interest in it during the twentieth century, and cadmium red became a popular substitute because it had a similar color and opacity to the original.Cadmium Red and Cadmium Red Deep are two of the colors offered in the Winsor & Newton Artists’ Oil Colors line of paint.The most prevalent method of synthesizing vermilion nowadays is by reacting mercury with molten sulphur, and any naturally occurring vermilion is most likely to originate from cinnabar, which is mined mostly in China.

  1. It retains a tremendous amount of cultural value.
  2. Hindu women in India put vermilion, known as sindoor, down the separating line of their hair to signal that they are married, according to tradition.
  3. During religious occasions, Hindu males frequently apply vermilion to the center of their foreheads.
  4. Additionally, the color vermilion has importance in Taoist culture, where it is revered as the color of life and eternality.
  5. References: 1.
  • Cennini, Cennino D’ Andrea (Cennino D’ Andrea).
  • Il Libro dell’Arte (The Craftsman’s Handbook) is a handbook for artisans.
  • Daniel V.

Thompson, Jr.is the translator.Yale University Press, New Haven, Connecticut, 1933.

Was Either Matthew or John Color Blind?

Matthew 27:281 and John 19:2 are considered to be in conflict with one another in the Bible.It is mentioned that Jesus was wearing either a scarlet (Matthew) or a purple (John) robe during his trial.A number of critics have referred to this as the ″color-blind″ contradiction, but there are no true Bible contradictions, and these passages are no exception to this general rule.

  1. To make matters worse, Luke writes that Jesus was also dressed in a ″beautiful″ robe (Luke 23:11), which just adds to the confusion.
  2. Is it true that we have a white robe to deal with as well?
  3. The Greek word lampros is commonly translated as bright, magnificent, or white, so do we have a white garment to deal with as well?
  4. Were the Gospel authors completely perplexed?
  5. Hardly.
  • We know that Scripture is infallible, and upon deeper inspection, it becomes clear that there is a logical (albeit harsh and horrific) rationale for the several garments that Jesus wore during his trials leading up to his Crucifixion.

Scarlet and Purple

There is no question that the Greek terms in the two verses are distinct from one another.There is no question that the Greek terms in the two verses are distinct from one another.It is not a question of an English version interpreting the same term in two distinct ways in two separate languages.

  1. The Greek word for ″kernel″ in Matthew 27:28 is kokkinos, which comes from the root word kokkos, which meaning ″kernel.″ When the eggs of a female insect, the ″kermes″ (which resembled the cochineal), were gathered and crushed, a red pigment that could be used in dyeing was produced that was employed in ancient times.
  2. 2 The color purple is used in John 19:2 while describing the garment.
  3. The term ″purple″ comes from the Greek word porphuroun, which comes from the root word porphura, which refers to a kind of mussel that generated a purplish pigment that was used in the dyeing of clothing.
  4. 3 The apparent inconsistency has been attempted to be brushed aside by stating that the robe stated in Matthew 27:28 and John 19:2 may have been burgundy in color and so may look redder to one spectator and more purple to another depending on the ambient light or distance between the viewers.
  5. As a result, some commentators believe that John and Mark (Mark 15:17–20) considered the garment to be purple in hue, whilst Matthew considered it to be redder in color.
  • However, this ″solution″ appears to be at odds with the Greek word choices used in each Gospel, which would appear to resolve any apparent conflicts.
  • In Matthew, Mark, and John, it is obvious that the Greek terminology used to describe the colors scarlet and purple are referring to different shades of the same color: scarlet.
  • The terminology ″chlamus″ and ″himation″ used to describe the garment itself were also different between Matthew and John.

It is necessary to remember the sequence of events in order to comprehend the clothing.Jesus was taken into custody in Gethsemane and taken first to Annas (John 18:13).Afterwards, Joseph was carried before the Sanhedrin in the middle of the night, where he was interrogated by Caiaphas, beaten, blinded, and hit in the face (Matthew 26:57–68).They chained Jesus and took him away to Pilate at the crack of dawn, after which the council of chief priests and elders made the decision to put him to death (Matthew 27:1).The Roman governor Pilate once interrogated Jesus, discovered that he was from Galilee, and ordered him away to Herod the Great (Luke 23:7).Herod had hoped that Jesus would perform some miracles in his presence, but that did not happen.

When Jesus declined, Herod and his troops mocked him by dressing him in a magnificent, beautiful white robe (perhaps to mock his innocence), and then humiliated him.Herod then ordered him to be returned to Pilate (Luke 23:8–11).

Cruel and Unusual Punishment

In order to scourge Jesus, when he returned to Pilate’s authority, the soldiers stripped him of his white robe (assuming it hadn’t previously been taken away by Herod) and the rest of his garments.Just before they scourged Jesus, the soldiers made fun of him in front of the entire garrison (Matthew 27:27).He was dressed in a crimson robe after his skin had been ripped apart by the soldiers after he had been scourged (Matthew 27:28).

  1. The scarlet robe (the term robe here is a translation of the Greek chlamus) was most likely a cloak worn by Roman governors, generals, and other notable commanders of the Roman army during the time of the Roman Empire.
  2. It was designed to be worn on the shoulders and tied around the torso, allowing the left arm to be free to hold a shield and the right arm to be free to wield a sword while wearing it.
  3. 4 This crimson robe may have been placed on Jesus to make fun of his physical frailty as a result of the beatings and abuse he had endured.
  4. Soldiers used the purple robe as the ultimate form of mocking when they wanted to make fun of someone who claimed to be a king but was in such a sorry state.
  5. After then, it appears that some of the troops had a nasty thought that they wanted to act on.
  • They came to the conclusion that a crown of thorns would be appropriate.
  • Pilate asked Jesus if he was the King of the Jews, to which Jesus responded yes (Matthew 27:11–12), and one of the soldiers was most likely there when Jesus answered affirmatively.
  • What kind of clothes would you put on a king?

A purple robe, which represents royalty, as well as a crown.It is most likely at this point that the red robe was removed off Jesus, most likely in order to allow them to put on the purple robe, but also in order to reopen the wounds.The crown of thorns was placed on Jesus’ head, and then the purple garment was placed on him.Soldiers used the purple robe as the ultimate form of mocking when they wanted to make fun of someone who claimed to be a king but was in such a sorry state.Others argue that the purple robe (the term robe here is a translation of the Greek himation) was a mantle that was placed on top of the scarlet robe, or that the scarlet robe may have been removed and then reapplied as a cloak or tunic that was placed on top of the purple robe.5 It is worth noting that while Matthew recalls the red garment being placed on Jesus, he does not specify that it was a scarlet robe when he later states the robe was taken off (Matthew 27:31).

Timeline of Events

When we look at the relevant Scripture texts in chronological order, with some explanatory text inserted for clarity (as is done below), it is easy to see that there is no contradiction in Scripture regarding what color robe was placed on Jesus: he had possibly a white robe, then both a scarlet robe and later a purple robe placed on him, and there is no contradiction in Scripture regarding what color robe was placed on him.Both physical and psychological torture had been perfected by the Romans, and many of them took great pleasure in the cruel punishment of anybody they perceived to be a criminal or insurrectionist.As a result of Herod’s treatment of Jesus and his soldiers, He was humiliated and mocked again.

  1. He was then dressed in a beautiful garment and sent to Pilate (Luke 23:11).
  2. After that, he handed over Barabbas to them, and after scourging Jesus, he handed Him over to be crucified.
  3. Then the governor’s troops led Jesus into the Praetorium, where they assembled the entire garrison around Him for protection.
  4. It is said in Matthew 27:26–28 that they undressed Him and wrapped Him in a crimson garment.
  5. It had been some time since the soldiers had ridiculed Him.
  • They removed the red robe and replaced it with a purple one, most likely in order to reopen wounds due to the blood that had coagulated on the robe.
  • It’s also conceivable that they just layered the purple robe over the scarlet one to disguise themselves.
  • And the soldiers twisted a crown of thorns and placed it on His head, and they draped a purple robe over His shoulders (John 19:2).

The color red represented a soldier, whereas the color purple represented a ruler or an emperor.It appears most likely that the soldiers, having grown tired of mocking Jesus’ physical weakness, turned their attention to his claims to kingship, which they had heard him make to Pilate (Matthew 27:11–12 and John 18:37), which they then mocked further.They placed a crown of thorns on His head and a reed in His right hand after they had twisted the thorns together.In response, they bent their heads before Him and ridiculed Him, exclaiming, ″Hail, King of the Jews!″ So they spat in His face, then they grabbed hold of an olive branch and whacked Him on the head (Matthew 27:29–30).″Behold, I am bringing Him out to you so that you may see that I find no fault in Him,″ Pilate stated to them as he walked out the door for the second time.Then Jesus emerged from the tomb, adorned with a crown of thorns and a purple robe.

″Look, here’s the Man!″ Pilate said to them.″Crucify Him, crucify Him!″ shouted the top priests and commanders as they saw Jesus..

  • .
  • .
  • ″Do you want me to crucify your King?″ Pilate inquired of them.
  • ″We have no monarch save Caesar!″ the leading priests said in response.

After that, he handed Him over to them to be crucified.Consequently, they arrested Jesus and carried Him away (John 19:4–16).Then, when they had insulted Him, they stripped Him of His robe and placed Him in His own garments before leading Him away to be crucified (Matthew 27:31).

Predicted Man of Sorrows

The apparent contradiction can be explained by the fact that there were two or three robes, not just one.No conflict can be seen when the paragraphs are viewed as a grouping of sentences.Both Matthew and John utilize Greek terminology to describe not just the color of the dye, but also the process by which the dye acquires its hue.

  1. Finally, when Matthew discusses the robe being taken off Jesus (Matthew 27:31), he purposely doesn’t say which shade is being discussed, which eliminates any possibility that these two accounts are incompatible in any way.
  2. It also dispels the skeptic’s allegation of ″color-blindness,″ because the terminology for the colors and the techniques used to create them are vastly different.
  3. The apparent contradiction can be explained by the fact that there were two or three robes, not just one.
  4. Finally, the texts reinforce and further illustrate the harshness and sadistic pleasure that the Roman guards had in humiliating prisoners, which was a source of pride for them.
  5. All of this mistreatment and abuse, both physical and emotional, was foretold 700 years earlier by the prophet Isaiah in relation to Jesus’ death and resurrection.
  • Men disdain and reject him; he is a man of sorrows and anguish, and he is well acquainted with suffering.
  • And we turned our backs on Him, as if we didn’t want Him to see us; He was despised, and we didn’t respect Him.
  • Surely He has borne our griefs And carried our sorrows; Yet we deemed Him stricken, Smitten by God, and afflicted.

The chastisement for our peace was laid on Him, and it is through His stripes

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