Young Girl Who Painted Jesus?

The ″Heaven is for Real″ painting of Jesus Story – by Colton Burpo and

Do you believe heaven is real?Well, according to Colton Burpo and the little Lithuanian girl who painted Jesus in the Heaven is for Real movie, it is!According to her autobiography Akiane, Her Life, Her Art, Her Poetry, Akiane Kramarik was a child prodigy who began creating extraordinary, lifelike paintings of Jesus at a very young age.Until this day, one of her most significant works of art is ″Prince of Peace,″ an exquisite painting of Jesus that she created when she was only eight years old.Because of the success of the bestselling book and subsequent film, Heaven is for Real, Colton Burpo identified this image of Jesus as the Real Face of Jesus, which he recognized from his heavenly experiences.His story has resonated around the world as a result of the success of the book and subsequent film, Heaven is for Real.

How does Akiane have such a thorough understanding of Heaven?Where does she get her visions from?

Akiane tells the Washington Times about her visions.

″A vision is like an oasis in a desert,″ Akiane explained in an interview published in the Washington Times.As you continue your trip through the desert of life experiences, which is full with faith difficulties, you will not be able to have it all the time.As a result, I am not very anxious about waiting for a vision to arrive since I know that it will appear when I least expect it…″I still experience images that serve as inspiration for my work.″ Visions, which are similar to dreams, frequently require documentation in order to best recall the experience; otherwise, clarity might be lost.Dream journaling, drawing, and painting are all tried and proven methods of capturing and preserving visions and dreams.When we look at a painting inspired by a vision, such as ″Prince of Peace″ (the Jesus artwork from Heaven is for Real), we get a glimpse of what the artist saw and chose to capture, whether in words or with paint.

According to the now famous CNN video on Akiane, when describing her second painting of Jesus, titled ″Father Forgive Them,″ Akiane described God as ″a bow of light – incredibly pure, really masculine, really strong and large……″ ″His eyes are just stunning.″

Have others seen and experienced Jesus in this way?

  • Yes! As a matter of fact, Colton Burpo, whose narrative is portrayed in the Heaven Is for Real books and the film Heaven Is for Real, has verified that Jesus seems to be the same as Akiane has shown Him in her artwork. The artwork ″Prince of Peace″ by Akiane is commonly referred to as the ″Heaven is for Real Jesus″ picture because of the way in which it depicts Jesus. More information on the Akiane Kramarik narrative may be found here. More information regarding the Colton Burpo story may be found here.

We may have a window to the divine and glimpses of heaven through divinely inspired paintings by artist Akiane Kramarik

  • What, in your opinion, is the most remarkable aspect of Akiane’s paintings? Is it possible that these are Akiane’s pictures of Jesus? The peace and love that emanates from the artwork is genuine. Perhaps these breath-taking artworks have touched your heart as they have mine. Please share your ideas with us. Accuracy and the pursuit of perfection and accuracy are hallmarks of Akiane. Here are a few illustrations: 8-year-old Akiane stabbed her small finger to get a drop of blood for the Jesus painting ″Prince of Peace,″ then urged her mother to run to the art store and buy that hue of paint – soon, because the color was about to change! Her painting ″Father Forgive Them″ required a lot of painting and repainting until Akiane was satisfied that Jesus’ hands were strong enough to lift the entire world to God in the garden of Gethsemane and ask for forgiveness for all before He was crucified. Her painting ″Supreme Sanctuary″ was the most difficult to complete because the intensity and colors of heaven are not available in our world. (Washing Station)
  • When we look at the minute detail painted into the heavenly gardens in ″Supreme Sanctuary″ or a teen aged Jesus talking with Father God in ″Jesus, the Missing Years,″ we can be confident that, according to this gifted young artist, Jesus was resurrected and Heaven truly is for real
  • ″Supreme Sanctuary,″ a heavenly painting by Akiane, gives us a glimpse of colors and scenes. ″Jesus, the Missing Years,″ a teen aged (This piece is pictured below and is available at Art & SoulWorks.

When asked “What is Heaven like?” Colton has said:

  • The city of Heaven is constructed of a gleaming metal such as gold or silver.
  • These are adorned with pearls and constructed of gold
  • they are the Gates of Heaven.
  • The first thing I noticed about Jesus was that he was dressed in white clothes with a purple ribbon
  • The nails that were used during the crucifixion have left ″markers″ on Jesus’ hands.
  • A plethora of colors, a plethora of people, and a plethora of creatures may be found in Heaven.
  • In paradise, there are more hues, and the flowers and trees are more lovely than on earth
  • The average age in Heaven is between 20 and 30 years old.
  • Everyone I saw in Heaven (with the exception of Jesus) had wings.
  • In heaven, there is always light, since Jesus is the light who illuminates the entire place
  • I discovered that paradise is a genuine place, and I believe you will like it.

and from the little Lithuanian girl who painted Jesus in the movie Heaven is for real movie.

  • Everything is absolutely beautiful and effortless in paradise
  • there is no struggle.
  • Unlike on Earth, colors are more vibrant in heaven, and many of them are not visible here on Earth.
  • The music in paradise is more lovely than the music in our world
  • it is nothing like the music in our world.
  • Plants, animals, and all other beings communicate in heaven not via words, but rather by color, vibration, and ideas.
  • There are hundreds of thousands if not millions of different hues

Is it possible that we are experiencing something genuinely remarkable because of a gift God granted to a young prodigy?An increasing number of people are becoming interested in the ″Prince of Peace″ painting, which is also known as the Heaven Is for Real Jesus painting or the Jesus Resurrection painting.If you think that God is the divine source of Akiane’s inspirations for the Akiane art seen here, then read on.Check out more paintings of Jesus – from his birth to his resurrection – on the following pages.Akiane Kramarik’s artwork, ″Prince of Peace, the Heaven is for Real,″ is titled ″Heaven is for Real.″ Join the over half-million followers of Jesus, Prince of Peace on social media!Take pleasure in everyday inspirations, art, and encouragement!

The little girl who painted a picture of Jesus in the film �Heaven is for Real� has sparked major media attention. Now revealed, is the young girl�s name, the name of her artwork and the heavenly connection she shares with Colton, the main character in the film.

Denver, Colorado, United States — The city of Denver is located in the state of Colorado.The 16th of May, 2014 is a Friday in the month of May.Denver, Colorado – May 16, 2014 – The Denver Post reports that The movie Heaven Is for Real, which was released in April, is based on the New York Times Best Seller of the same name and recounts the narrative of a 4-year-old kid called Colton Burpo.During a near-death experience, Colton claims to have been transported to paradise.Todd Burpo, his interested father, listens intently as he tells his son’s narrative about paradise.As a result of the representation and understanding provided by the child’s innocence, Colton’s family is unsure of how to react to Colton’s account, his visit to paradise, or what he claims to have seen there.

Throughout the film, Todd attempts to persuade Colton to recognize Jesus by presenting him with a fluctuating amount of photographs and photos from his collection, but without success.It is not until the very end of the film that Colton recognizes the visage of Jesus on Todd Burpo’s laptop as being that of Jesus.It is shown in the film that the young Lithuanian girl paints the picture of Jesus, but neither her identity nor the name of the painting are given to those watching it on the big screen.Many people who have seen the film are left wondering who the young Lithuanian girl who is painting Jesus is, and what the relationship is between her, the film, and Colton’s character, Colton.A famous child artist, Akiane Kramarik, played the role of the small girl who painted Jesus in the film.

She is the inspiration for the movie.Akiane began painting her picture of Jesus Christ when she was four years old, and this vision is depicted in the video.Akiane was born in 1994 in Mount Morris, Illinois, to two atheist parents.

As a child, he saw visions of God, Jesus, and heaven, which he shared with his parents.Beginning with pencil drawings, Akiane progressed to reproducing her thoughts in magnificent works of art and pastels, which she continues to do today.Akiane began painting with acrylics at the age of six, and subsequently moved on to oils.Over the course of her career, she has produced over 200 published art works and 800 literary compositions, as well as two New York Times bestseller novels.

Her artistic abilities and life experience have been featured on several television programmes, including CNN and the Oprah Winfrey Show.It is not just Akiane’s image, dubbed The Prince of Peace, that is included in Heaven is for Real, but it is also her life experience that is duplicated and communicated via Colton in the film.Both children share many similarities in their heavenly experiences, including the fact that they were both four years old when they first had their noted heavenly experiences, that they both believe in the possibility of an afterlife, that they both believe in the existence of God, Jesus, and heaven, and many other things.Colton and Akiane originally met in 2012 when appearing on the Katie Couric program, and they both stated that they have more to say but are waiting for God’s ideal moment to reveal it.

  • Art & SoulWorks: A Brief Introduction Art & SoulWorks, the licensors of Art by Akiane, now sells the paintings of Akiane Kramarik, the now-famous small girl who painted Jesus, as well as other works by other artists.
  • It is her picture, Jesus Prince of Peace, that Colton Burpo, the little child who plays the role of Jesus in the film Heaven is for Real, recognizes as the face of Jesus.
  • For further information, please see
  • To acquire the free Prince of Peace download, visit the following link: (Press Release Image:) WebWireID187933 Information about how to get in touch Carol Corneliuson is an American actress and singer.
  • Principal Art & SoulWorks may be reached at (888) 308-8659.
  • Contact information is available by e-mail.

This news content may be used in conjunction with any genuine news collecting and publication activity.It is OK to link to this page.WebWire provides news release distribution and press release distribution services to businesses and organizations.

Akiane – Wikipedia

Akiane Kramarik was born in the city of Kramarik. Mount Morris, Illinois, United States, July 9, 1994 (age 27)Occupation Artist, poet, and recipient of awards, including induction into the Happiness Hall of Fame (2016)


Akiane Kramarik (; born July 9, 1994) is a poet and painter from the United States. She began sketching when she was four years old. Prince of Peace is Kramarik’s most well-known picture, which she produced when she was eight years old.

Early life

A Lithuanian mother and a non-practicing Catholic American father raised Akiane Kramarik in Mount Morris, Illinois, on July 9, 1994.She is the youngest of three children.According to Kramarik, she had visions in which she saw the face of Jesus Christ.Her formal education began in a parochial school, although she eventually went on to be homeschooled by her mother.According to the artist, her early exposure to religious art in the form of sculptures, reliefs, and paintings at one of the Catholic schools she attended had a significant impact on her subsequent fascination with legendary individuals.I had the opportunity to confront the world’s conception of what god was meant to be for the first time, but I had the distinct impression that I comprehended things in a far larger and more profound way.

In my opinion, the majority of individuals were either entirely unaware of other realities or had their perceptions of those realities limited to a very restricted range of perspectives.


Her paintings are self-taught, and she claims that Jesus talked to her when she was four years old, prompting her to sketch and paint her visions.She began drawing at the age of four, began painting at the age of six, and began writing poems at the age of seven.Akiane began painting Jesus when he was eight years old.Her first completed self-portrait sold for US$10,000 while she was just starting out.His paintings are frequently metaphorical as well as spiritual in nature, and include representations of Jesus, children, and animals as well as his own self-portraits.She frequently gets inspiration from photographs in magazines.

Kramarik, on the other hand, claims that her primary source of inspiration comes from her visions of Heaven and religious experiences.She had done sixty huge paintings by the time she was twelve years old.The United States Embassy in Singapore has acquired a number of her pieces of art.More than 200 artworks and 800 literary pieces have been accomplished by her, and she has released two best-selling books.Kramarik made his television debut on The Oprah Winfrey Show when he was ten years old.

She made her television debut at the age of twelve.In 2005, she featured in the 68th episode of The Late Late Show with Craig Ferguson, and in 2012, she starred in the 21st episode of the television series Katie.

Prince of Peace

Prince of Peace, according to Kramarik, is her ″favorite portrait″ and one of her most enduring works.When she was eight years old, she had been searching for the ideal face to assist her paint a picture from her thoughts and visions for quite some time when a family member suggested a carpenter as a potential subject.Kramarik recognized the man’s face as being very similar to what he recalled as the face of Jesus.She was able to create the image after 40 hours of concentrated effort.Not shortly later, it was transported to her agent for display, who promptly stole it and sold it without her knowledge or consent.Over a sixteen-year period, the original artwork was kept locked up in a bank vault, with the then-owner refusing to either exhibit or sell the picture.

Prince of Peace was found by the artist’s family in December of this year and sold to a private collector for the sum of $850,000.A vital procedure was required for Colton Burpo when his appendix ruptured when he was four years old.His tale was told in the best-selling book Heaven Is for Real, as well as in the film version of the same name, and his story was included in the film Heaven Is for Real.However, he claims to have had an experience of visiting Heaven and visions of Jesus, despite the fact that it was not a near-death experience (his heart never stopped beating).Many years later, as he was seeing Kramarik’s Prince of Peace on television, he informed his father, ″Dad, that one’s correct.″

See also:  What A Friend We Have In Jesus Bible Verse


  • Akiane Kramarik’s full name is Akiane Kramarik (2006). Akiane: Her Life, Her Art, Her Poetry. Akiane: Her Life, Her Art, Her Poetry W Publishing Group is based in Nashville. ISBN 0-8499-0044-1
  • Akiane Kramarik’s full name is Akiane Kramarik (2006). Akiane My Dream Is Greater Than Myself: Memories of the Future., ISBN 0-9778697-0-9
  •, ISBN 0-9778697-0-9
  •, ISBN 0-9778697-0-9


  1. ″Photos of Award Winners″ is a collection of photographs of award winners. The Hall of Fame for Happiness. The original version of this article was published on May 10, 2016. Akiane art tour 2007 was retrieved on May 10, 2016.
  2. a b ″Akiane art tour 2007″. San Diego’s La Prensa newspaper. The 8th of June, 2007. The original version of this article was published on March 29, 2015.
  3. Centi, Lori Rose. Retrieved September 24, 2014 – through Highbeam.
  4. ″In an interview, Akiane discusses heaven and artwork,″ the article reads. The Washington Times is a newspaper based in Washington, D.C. On the 11th of August, 2016, I was able to get a hold of some information.
  5. a b c Robin Heflin
  6. a b c (July 11, 2004). ″Strokes of genius
  7. At just ten years old, Akiane Kramarik of Post Falls is dazzled by everyone with her drawings and poems.″ The Spokesman-Review is a publication that publishes a review of the Spokesman-Review. Spokane, Washington The original version of this article was published on March 29, 2015. Obtainable on September 24, 2014, via Highbeam.
  8. Jones, Justin (November 17, 2014). ″Are you blessed or cursed?″ ″Child Prodigies Reveal All″ is a documentary on child prodigies. The Daily Beast is a news website that publishes articles on a variety of topics. The original version of this article was published on November 18, 2014. On August 23, 2016, I was able to get a hold of some information. ″Some researchers actually evaluated my work and made a comparison between the Shroud of Turin and. this painting,″ Akiane said in an interview with Katie Couric last year. ″The Shroud of Turin is the purported cloth in which Jesus was buried after he was crucified,″ according to the Catholic Encyclopedia. They claimed that it was roughly 80 to 90 percent accurate in its predictions. • ″Akiane talks about heaven and paintings in an interview.″ The Washington Times published an article on December 31, 2014.
  9. ″Akiane, My Story″, which was published on September 16, 2017. On January 3, 2018, Akiane Kramarik was named ″Dream Child″ by the New York Times. Christianity Today, published in July 2004. The original version of this article was published on January 24, 2007. On the 30th of January, 2007, I was able to get a hold of some information.
  10. Rose Centi, Lori (February 21, 2012). ″In an interview, Akiane discusses heaven and artwork,″ the article reads. The Washington Times is a newspaper based in Washington, D.C. The original version of this article was published on December 20, 2014. December 20, 2014, was the date of the retrieval. Akiane began drawing when she was four years old, and by the age of six, she was painting on canvas. She explained to her mother that she needed to paint because she was seeing ″visions from God,″ as she put it. Despite the fact that her parents were atheists at the time, their little daughter’s drawings of heaven and Jesus Christ, whom she referred to as ″God,″ left them both perplexed and fascinated.
  11. Akiane’s official home page Archived from the original on May 31, 2009, at the Wayback Machine
  12. ″Lou Dobbs Tonight Transcript″ is a transcript of an episode of Lou Dobbs Tonight. The 24th of October, 2003, was a CNN special. The original version of this article was published on January 24, 2007. On the 30th of January, 2007, I was able to get a hold of some information. In the article ″SuperHuman Geniuses″, the child prodigy describes how she made herself a million dollars by selling her incredible paintings. The 8th of January, 2018. The original version of this article was archived on December 12, 2021.
  13. a b ″Painting the Impossible by Akiane Kramarik″. Retrieved March 17, 2018.
  14. a b ″Painting the Impossible by Akiane Kramarik″. The 9th of July, 2017. The original version of this article was archived on December 12, 2021. ″Prince of Peace – Akiane Gallery,″ which was retrieved on March 17, 2018. Carol Corneliuson’s article from March 17, 2018 was retrieved (July 8, 2017). ″JESUS, BY AKIANE KRAMARIK″ is a painting by Ariane Kramarik. Art and Soulwork are two different things. On March 17, 2018, the New York Times published an article titled ″An Artist’s Famous Painting Of Jesus Is Revealed That Has Been Hidden For Years.″ CBS Chicago is a television network based in Chicago. The original version of this article was archived on December 12, 2021. on December 13, 2019
  15. retrieved December 13, 2019. JULIE BOSMAN is a writer and a poet (March 11, 2011). ″Celestial Sales for Boy’s Tale of Heaven″ is a phrase that means ″heavenly sales for Boy’s Tale of Heaven.″ The New York Times is a newspaper published in New York City.
  16. ″The ″Heaven is for Real″ Painting of Jesus″, which was published on December 21, 2014.
  17. Art and Soulwork are two different things. ″Heaven is for Real Jesus Painting,″ according to a report published on March 17, 2018. Art and Soulwork are two different things. Obtainable on March 17, 2018.

External links

  • Akiane’s official website
  • Akiane’s IMDb page
  • ″Interview with Akiane Kramarik.″ The original version of this article was published on January 6, 2009. Retrieved on the 26th of May, 2008.

Akiane Kramarik – The Girl Who Paints God

It is the Lord who extends His strong and tender hand to us when we are still children and innocent.When a kid hears the Lord’s calm, silent voice, he or she goes to Him with abandon, unafraid of what could happen.Akiane Kramarik had her first encounter with the Lord when she was four years old, and she still remembers it vividly.Akaine was raised by her atheist parents in a home-school atmosphere and did not have access to a television, so she had little exposure to Christian influences.Despite this, she began to see images and hear voices in her head.Akiane was certain that these experiences had come from a God she was familiar with, and she shared her convictions with her mother both vocally and in writing.

It was impossible to ignore the rambling of divine messages coming from the tiny blond girl, but it was impossible to overlook her breathtaking ability of artistic expression.The only known child binary genius in painting and poetry, Akaine began painting as a way of communicating her unique encounters with the Lord.She was considered a child prodigy and the only known kid binary genius in painting and poetry.Her brush conveyed the tale of everything that He had showed her and directed her to share with the rest of the community.Awakened by the suffering and joy she witnessed in others, Akaine was touched.

The same mixture of optimism and grief is seen in the eyes looking back at her from her canvas.As a result, Akaine gained notoriety as the ″Girl who paints God.″ The only thing I’m doing is putting my gift to work to encourage people to live better lives filled with more pleasure, love, and hope.She repeats this every time she picks up her paintbrush, which serves as a conduit between her and God.

The Lord speaks with her via her paintings, which she interprets as a kind of communication.She reports that inspiration awaits her in her studio every morning at 4:00 a.m., thanks to the dedication with which the young artist approaches her work.The lessons Akiane has gained from these life-changing experiences are that everything is related via one word: love.She is most recognized for her representation of Jesus as the ‘Prince of Peace,’ which is her most well-known painting.

Amazingly, she painted the portrait of Christ at the age of eight, claiming that she had been able to see Him for many years prior to that, but that His image had become blurred by the time she painted it.A carpenter came knocking on their door one day, and she was inspired to start her own business.Experts then researched the artwork and compared it to the Shroud of Turin, and to their surprise, they discovered that it was 80-90 percent accurate in comparison to the original!The artwork ‘Prince of Peace’ by Akaine was also included in the narrative ‘Paradise is for Real,’ in which 4-year-old Coulton Burpo, who claims to have seen heaven, recognized ‘the Jesus he knew’ in her picture as the Jesus he had known.

  • Having been seen several depictions of Jesus by his father, Coulton immediately recognized the Prince of Peace as he walked through Akaine’s painting.
  • Akaine, now 18 years old, continues to express her devotion to the Lord and her connection with Him via her paintings, which she began as a child.
  • Each of her paintings has a spiritual undertone and is in some way linked to her Creator.
  • Akaine’s labor resulted in the conversion of her own family to Christianity, as well as the conversion of many more outside the four walls of her own home.
  • Her father expressed his belief in the afterlife by saying, ″There is life beyond death.″ Akaine painted ″I AM,″ which is one of my favorite paintings, when she was just 17 years old.
  • It is one of my all-time favorite Akaine paintings.

She considers it to be one of her most difficult paintings because she wanted to capture every aspect of Christ just right.What Akaine gained through her half-year experience of focusing on Christ on her canvas, is that “Everybody is perfect, irreplaceable and unique.” Read more about this inspirational woman in the book, “Akiane: Her Life, Her Art, Her Poetry“.

Visit Akiane’s Gallery

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It seems likely that most of us have something to say about God’s work in our lives, whether it has been earth-shattering or constantly straightforward.According to 1 Peter 3:15, we must constantly be prepared to render an account to people for the hope they have placed in us.As a result, it is critical that we spread the word about our experiences with others.″Once I Was Blind, But Now I See is a testimonial like none other that I have ever heard!My personal life was transformed as a result of the experience, and it was through it that I came to know Christ after many years of running.″ This is a book that you should read for yourself and then give to those who are suffering with their faith.The miracles that God performs in this man’s life are breathtaking, and the reader will be unable to put the book down until the end of the story.

Although he has spent a significant amount of time dabbling in the occult and fleeing from God, this man continues to hear God’s voice, and he has not ceased hearing it since.He reveals everything many years later, many healings later, and many miracles later.Get Your Hands On A Copy

Kimberly Cook

Writer, podcaster, mother, and apologist for the Catholic faith. Kimberly is a wonderful person.

The long history of how Jesus came to resemble a white European

The post was published on July 22, 2020, and the update was published on July 22, 2020.By Anna Swartwood House, [email protected], courtesy of the University of South Carolina No one knows what Jesus looked like, and there are no known photos of him during his time on the earth.Anna Swartwood House, an art history professor, writes in The Conversation on the tangled history of pictures of Christ and how they have fulfilled a variety of functions throughout history.When it comes to portraying Jesus as a white, European guy, there has been heightened scrutiny during this era of reflection on the history of racism in our culture.At a time when demonstrators in the United States demanded for the destruction of Confederate monuments, activist Shaun King went even farther, stating that paintings and artwork representing ″white Jesus″ should be ″demolished.″ His worries regarding the image of Christ and how it is used to promote conceptions of racial supremacy are not unique to him or to the church.Prominent scholars, including the Archbishop of Canterbury, have urged for a reexamination of Jesus’ image as a white man in Christian literature.

The developing image of Jesus Christ from A.D.1350 to 1600 is the subject of my research as a European Renaissance art historian.During this time period, some of the most well-known images of Christ were created, from Leonardo da Vinci’s ″Last Supper″ in the Sistine Chapel to Michelangelo’s ″Last Judgment″ in the Vatican Museum.However, the image of Jesus that has been replicated the most is from a different historical period.It is Warner Sallman’s ″Head of Christ,″ a light-eyed, light-haired sculpture from 1940.

Sallman, a former commercial artist who specialized in creating artwork for advertising campaigns, was successful in marketing this photograph across the world.Sallman’s collaborations with two Christian publishing houses, one Protestant and one Catholic, resulted in the inclusion of the Head of Christ on a wide range of items, including prayer cards, stained glass, fake oil paintings, calendars, hymnals, and night lights, among other things.Sallman’s painting is the culmination of a lengthy tradition of white Europeans who have created and disseminated images of Christ that are in their own image.

In search of the holy face

Historically, the actual Jesus most likely had brown eyes and complexion similar to those of other first-century Jews from Galilee, which is a location in biblical Israel No one, however, is certain about Jesus’ physical appearance.In addition, there are no known photos of Jesus during his lifetime, and whereas the Old Testament kings Saul and David are specifically described in the Bible as ″tall and attractive,″ there is no evidence of Jesus’ physical appearance in either the Old or New Testaments.Even these passages are in conflict with one another: The prophet Isaiah writes that the coming savior ″had neither beauty nor majesty,″ whereas the Book of Psalms states that he was ″fairer than the children of mankind,″ with the term ″fair″ alluding to physical attractiveness.It was around the first through third century A.D.that the earliest representations of Jesus Christ appeared, amidst worries about idolatry.They were less concerned with accurately portraying Christ’s physical appearance than they were with establishing his function as a ruler or as a savior.

Early Christian painters frequently used syncretism, which is the combination of visual formats from other civilizations, in order to clearly show their functions.A common syncretic picture is Christ as the Good Shepherd, a beardless, young figure based on pagan images of Orpheus, Hermes, and Apollo that is perhaps the most widely recognized.In some popular portrayals, Christ is depicted as wearing the toga or other qualities associated with the emperor.One interpretation is that the adult bearded Christ with long hair done in the ″Syrian″ style combines traits of the Greek god Zeus with the Old Testament hero Samson, among others.The theologian Richard Viladesau disagrees.

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Christ as self-portraitist

Portraits of Christ that were considered authoritative likenesses were thought to be self-portraits: the miraculous ″image not formed by human hands,″ or acheiropoietos, which means ″image not made by human hands.″ This belief dates back to the seventh century A.D., and it is based on a legend that Christ healed King Abgar of Edessa in modern-day Urfa, Turkey, through a miraculous image of his face, now known as the Mandylion.The Mandylion is a miraculous image of Christ’s face that was created by the Holy Spirit.Between the 11th and 14th centuries, a similar legend spread throughout Western Christianity, telling how, before his crucifixion, Christ left an impression of his face on the veil of Saint Veronica, an image known as the volto santo, or ″Holy Face,″ which became known as the volto santo, or ″Holy Face.″ Together with other comparable relics, these two portraits have served as the foundation for iconic legends regarding the ″real image″ of Christ.If we look at it from the standpoint of art history, these objects served to strengthen an already established picture of a bearded Christ with shoulder-length, black hair.Around the time of Christ’s death, European painters began to merge iconography with portraiture, creating Christ in their own likeness.Some people did this to express their identification with Christ’s human suffering, while others did it to make a statement about their own creative potential.

One of the most famous examples is the work of the 15th-century Sicilian painter Antonello da Messina, who painted small portraits of the suffering Christ that were formatted exactly like his portraits of ordinary people, with the subject placed between an imaginary parapet and a plain black background, and signed ″Antonello da Messina painted me.″ Albrecht Dürer, a 16th-century German artist, blurred the boundaries between the holy face and his own image in a renowned self-portrait from 1500 that became known as the Holy Face of Christ.In this, he posed in front of the camera as if he were an icon, his beard and luxurious shoulder-length hair evoking Christ’s own.The monogram ″AD″ might stand for either ″Albrecht Dürer″ or ″Anno Domini″ – ″in the year of our Lord,″ depending on who you ask.

In whose image?

Interestingly, this phenomena was not limited to Europe: there are 16th- and 17th-century paintings of Jesus that have Ethiopian and Indian traits, among other things.The image of a light-skinned European Christ, on the other hand, began to spread throughout the world as a result of European commerce and colonization in the early centuries.The ″Adoration of the Magi,″ painted by the Italian painter Andrea Mantegna in A.D.1505, depicts three separate magi, who, according to one contemporaneous story, came from Africa, the Middle East, and Asia.They display valuable goods made of porcelain, agate, and brass, which would have been treasured imports from China, the Persian and Ottoman empires, and other countries.However, Jesus’ fair complexion and blue eyes show that he was not born in the Middle East, but rather in Europe.

Furthermore, the faux-Hebrew writing embroidered on Mary’s cuffs and hemline hints at a difficult relationship between the Holy Family’s Judaism and their Catholic faith.Anti-Semitic beliefs were already common among the majority Christian population in Mantegna’s Italy, and Jewish people were frequently divided into their own sections of large cities, as a result of this.In order to remove Jesus and his parents from their Jewishness, artists created works of art.Even seemingly insignificant characteristics such as pierced ears — earrings were linked with Jewish women, and their removal with a conversion to Christianity – might symbolize a move toward the Christianity represented by Jesus and his apostles and disciples.Long afterward, anti-Semitic groups in Europe, especially the Nazis, would strive to completely separate Jesus from his Judaism in order to promote an Aryan caricature of the Messiah.

White Jesus abroad

As Europeans conquered ever-more-distant regions, they carried a European Jesus with them to share with the people.Jesuit missionaries developed painting schools where new converts might learn about Christian art in the European tradition.It is believed that this small altarpiece was created in the school of Giovanni Niccol, an Italian Jesuit who founded the ″Seminary of Painters″ in the Japanese city of Kumamoto around 1590.It combines a traditional Japanese gilt and mother-of-pearl shrine with a painting of a distinctly white European Madonna and Child.Images of a white Jesus in colonial Latin America – which European colonists dubbed ″New Spain″ – helped to reinforce a caste system in which white, Christian Europeans occupied the top tier and those with darker skin as a result of perceived intermixing with native populations ranked significantly lower on the social ladder.Saint Rose of Lima, the first Catholic saint to be born in ″New Spain,″ is shown in a picture by artist Nicolas Correa from 1695, in which she is seen metaphorically married to a blond, light-skinned Christ.

Legacies of likeness

In their paper, Edward J.Blum and Paul Harvey claim that, in the centuries following European colonization of the Americas, images of a white Christ were connected with the logic of empire, and that this association could be used to justify the oppression of Native and African American people.Although America is a mixed and uneven society, the media portrayal of a white Jesus was disproportionately prominent.A huge majority of performers who have represented Jesus on television and in films have been white with blue eyes, and this is not limited to Warner Sallman’s Head of Christ.Pictures of Jesus have fulfilled a variety of functions throughout history, ranging from symbolically showing his authority to representing his physical likeness.However, representation is important, and viewers must be aware of the complex history of the images of Christ that they consume.

According to the terms of a Creative Commons license, this article has been reprinted from The Conversation.See the source article for more information.Photo credit for the banner image: The transfiguration of Jesus is depicted in this painting, which depicts a tale from the New Testament in which Jesus appears resplendent on a mountain.Photograph by Raphael /Collections Hallwyl Museum, Creative Commons BY-SA Please spread the word about this story!Inform your social network connections about what you are reading about by posting on their pages.

Topics: Faculty, diversity, history, and the College of Arts and Sciences are all important considerations.

Heaven Is for Real (2014)

Based on the real-life Akiane Kramarik (born on July 9, 1994, in Mount Morris, Illinois), a girl who claimed to have had an NDE and to have met Jesus in heaven.The Lithuanian painting girl who appears at the beginning and end of the film, played by Ursula Clark, is based on the Lithuanian painting girl who appears at the beginning and end of the film.In addition, the painting of Jesus seen in the film is a replica of a genuine painting by Kramarik, titled Prince of Peace, which was commissioned by the filmmakers.Both Akiane Kramarik and Colton Burpo experienced a near-death experience (NDE), which enabled them to have their insights and visions.Near-Death Experience (NDE) is an abbreviation for Near-Death Experience, which was used for the first time by psychiatrist Raymond Moody in his 1975 book ″Life After Life.″ In it, Moody collated real-life experiences of patients who had died for a little period of time but had recovered and gone on to live again.There were some similarities between the several stories: It means to be outside of one’s physical body.

Then, when you float around the room’s roof, you’ll notice your own body in the bedroom.It is possible to have X-ray senses, with the capacity to see and hear persons (familiar, pals.) in the next room, or even long-distance senses, with the ability to see and hear people thousands of miles away from their own position.Traveling at fast speed through a tunnel with a bright white light at the end is possible.Meet your parents and friends who were previously deceased in the light.Consider a retrospective of one’s own lifeline, similar to movie frames.

While standing in the light, you will have a profound sense of serenity and tranquillity.Feel the presence of a strong being that resembles a deity, rather than seeing it.A voice stating ″It’s not your time″ or anything along those lines, followed by a return from the light.

Take pleasure in the sensation of falling from a tremendous height, returning to one’s physical body, and eventually, returning to life.Greg Kinnear and Thomas Haden Church, the film’s two leading stars, were both born on the same day, June 17, in the same year (1963 and 1960, respectively).Reilly and Martindale, the two starring actresses, were both born on the same day, July 18, in the year of their film’s release (1977 and 1951, respectively).Margo Martindale, who portrays Nancy Rawling, has also acted in another television series about the afterlife, A Gifted Man (2011).

A happy coincidence, this film has performers with the surnames Church (Thomas Haden Church) and Apostle (Randy Apostle), both of whom have surnames that are associated with the Christian religious topic.A Little Boy’s Astounding Story of His Trip to Heaven and Back″ is the title of the book on which this film is based, written by Todd Burpo and Lynn Vincent and published by HarperCollins in 2007.

Does This 1,500-Year-Old Painting Show What Jesus Looked Like?

  • In an exceedingly rare early picture discovered in an old Israeli church, Jesus seems entirely different from the long-haired, bearded depiction of him that has become popular in Western culture.
  • It was discovered among remains of a Byzantine-era agricultural community in the Negev desert of southern Israel, by archaeologists from the University of Haifa in Israel, which had previously been unknown.
  • The painting of Jesus is believed to be more than 1,500 years old.
  • WATCH: JESUS: A HISTORICAL PERSPECTIVE Vault ″I was at the right place at the right time with the right angle of light and, suddenly, I saw eyes,″ art historian Emma Maayan-Fanar, who was the first to notice the image on the wall of a church, told the Israeli newspaper Haaretz.
  1. ″I was there at the right time, at the right place with the right angle of light and, suddenly, I saw eyes.″ In our minds’ eye, we saw the face of Jesus at his baptism.
  2. Because the gospels never describe Jesus’ appearance, and because there is no documented contemporary depiction of him, every image of him that we see is based on later creative renditions of the man.
  3. According to Maayan-Fanar, who spoke to Haaretz, Christ was represented in a variety of ways during the early years of Christianity’s history, including with short and long hair, beards and clean-shaven.
  4. However, from the sixth century, representations of Jesus in the West typically depicted him with long, flowing hair and (often) a beard.

The image discovered in the ancient village of Shivta has been reduced to little more than faint outlines and smudges of color as a result of exposure to the sun over centuries, but Maayan-Fanar and her colleagues believe it depicts a young man with ″short curly hair, a prolonged face, large eyes, and an elongated nose,″ according to the researchers.The scholars report their finding in the journal Antiquity, concluding that the painting dates to the sixth century A.D.and ″belongs to the iconographic scheme of a short-haired Christ, which was notably common in Egypt and Syro-Palestine but has disappeared from later Byzantine art.″ Originally positioned above a Baptist font in the shape of a cross, experts concluded that the painting reflected the baptism of Christ, which was a frequent topic in early Christian and Byzantine art at the time of its creation.Despite the fact that Christianity was formed in the Holy Land, relatively little early Christian art from this specific time has survived there.From the eighth century A.D.onward, during the so-called ″Iconoclastic Controversy,″ many Christians in the Byzantine Empire believed that the act of creating religious images was equivalent to the act of worshipping icons, which were outlawed by Emperor Leo III in 726 A.D.

and remained outlawed until the middle of the ninth century.The newly discovered picture looks to be the earliest pre-iconoclastic depiction of Christ’s baptism to be unearthed in the Holy Land since the time of the apostles.READ MORE: What Did Jesus Look Like When He Was Alive?

Interview: Akiane speaks of heaven and paintings

  • — – Wednesday, December 31, 2014 HUNTINGDON, PA – February 21, 2012 — HUNTINGDON, PA (February 21, 2012) — The paintings of Heaven and God by Akiane Kramarik are astounding in their beauty.
  • They are both realistic and ethereal at the same time.
  • Yet, despite their material nature, they capture the intangible.
  • They are aesthetically pleasing while remaining natural.
  1. They convey love, but the love is more felt than seen in their portrayal.
  2. Like the 17-year-old artist and prodigy, the paintings arouse the imagination, conjuring up images of things bigger than those that may be found on the surface of the planet.
  3. Like the words of a song that we have never heard before, Akiane’s paintings of Heaven elicit emotions that we have never felt before but have a strong desire to experience.
  4. Akiane began drawing when she was four years old, and by the age of six, she was painting on canvas.

She explained to her mother that she needed to paint because she was seeing ″visions from God,″ as she put it.Despite the fact that her parents were atheists at the time, their little daughter’s drawings of Heaven and Jesus Christ, whom she referred to as ″God,″ left them both perplexed and fascinated.Travelogue written by Akiane Kramarik The Kramariks have asserted time and time again that these were not phrases that were discussed in their family environment.In addition to being of Lithuanian descent, Akiane’s mother, Foreli, had no religious background or belief system.Akiane’s father, Mark, was raised as a Catholic, although he had not been a practicing Catholic for many years at the time of the incident.Akiane sought to explain what it is like to experience a ″vision from God″ in an interview with the ″Lori’s Centiments″ section of The Washington Times’ Communities section, which can be seen here.

″A vision is like an oasis in the middle of a desert.″ You can’t have it all the time because you have to keep on going on your trip through the desert of life experiences, which is full of faith challenges and difficulties…The fact that I know a vision will occur when I least expect it means I am not anxious about waiting for one to appear…According to Akiane, ″I still receive visions that motivate my work.″ When Akiane has had visions, which, according to her, are similar to dreamlike experiences, she has stated that she must paint what she sees as soon as she has it, else the vision will lose its clarity.

When she looks at a painting that was inspired by a vision, such as ″Prince of Peace,″ she is able to vividly recall the vision, albeit she must stare at the picture in order for it to be completely brought to her conscious mind.Similarly, in another painting, titled ″Father Forgive Them,″ Akiane depicted Jesus with his hands lifted toward the heavens, as though imploring his heavenly Father.During an interview with CNN, she depicts God as ″like a bow of light – extremely pure, extremely masculine, extremely strong, and extremely large…″His eyes are just stunning.″ A large number of the over 250 paintings that Akiane has done have been influenced by visions she has had or by some other facet of her spiritual life.

Akiane claims to have witnessed some of the most awe-inspiring scenes in Heaven, which she claims to have witnessed through divine insights.When asked to describe Heaven in words, Akiane replied: ″Plants, animals, and all beings talked not via words, but through color, vibration, and ideas.″ Everything seemed to flow effortlessly.My memories of Heaven and visions, on the other hand, are fading, and new experiences are being produced as time progresses.

See also:  How Many Times Did Jesus Fall

Since my initial contact with sights and dreams of Heaven, my understanding of the afterlife has grown and matured significantly.We co-create our world in the manner in which we choose and require it.To a certain extent, certain people can have that experience even when they are on this planet.″ Akiane has also made several references to the vitality and ethereal beauty that may be found in the hereafter.″All of the colors were out of this world.It was incredible.″ As of right moment, we don’t know the colors of hundreds of millions of different hues.

″The flowers were just beautiful,″ she says.Akiane stated this in an interview with CNN a few years back.It is possible that Akiane’s most well-known picture of Heaven is ″Supreme Sanctuary,″ which displays an elaborate structure on a hill surrounded by odd, yet innately lovely flowers of every colour, bathed in sunlight and warmth.As Akiane has stated, due of the uniqueness of the hues found in Heaven, it is hard for her to capture them on canvas.

Additionally, Akiane writes poetry, which she often uses to explain a picture or vision that she has had.An excerpt from the poetry that accompanies the picture named ″Supreme Sanctuary″ is as follows: Eternal youth comes with its own set of sensitive requirements…There have been no thoughts gathered.In the gardens of the same colour – A voyage over the crossroads of bridges appears to be too physically demanding…To be immersed in the chaste colours of all events is something I’m looking forward to for some reason.

For some reason, I’m looking forward to the voyage, which is the only way to reach the Light…At one point in our conversation, we asked Akiane how she would characterize God to someone who does not have a personal relationship with Him.Her response included the statement that God ″is love.″ A connection with God, according to Akiane, is characterized by the presence of love and purity in one’s heart.Her life’s mission, according to Akiane, is to ″bring people closer together via art.″ Her art has unquestionably done this on a variety of levels.Not only have her paintings sold for extremely high prices, ranging from $5,000 to $3 million, but they have also clearly had an impact on the hearts and minds of those who have come into contact with them.

In the art world, the adolescent who has had no professional instruction has undoubtedly evoked a tremendous deal of enthusiasm and admiration for himself.She has also piqued the interest of the general public in regards to God and Heaven, causing those who did not believe to take notice and question how a young child could be blessed with such a gift if it were not for a loving God.The soft-spoken young lady is modest about her abilities, attributing her paintings to God’s presence in her life, which she considers to be a blessing.When she finished one of her paintings, for example, Akiane stated, ″I believe that every painting is a tough piece of a jigsaw for me and others to solve.″ When I see that everything has been done, I feel both humble and delighted.″ Paintings take up four to five hours of Akiane’s time each day, with the majority of her work done in acrylics or oil.It takes around three months to complete a painting from its inception to its completion.

She, along with her siblings Delfi, Jean Lia, Ilia, and Aurelius, are homeschooled in their hometown of Sandpoint, Idaho, where they live with their mother.In addition to drawing and writing, Akiane enjoys reading and learning new information.She can communicate in Lithuanian, Russian, and English.Writing, textile design, playing instruments (including the piano, guitar, flute, and violin), photography, cooking, and attending operas, ballets, and plays are among the other things that Akiane likes.In addition, she likes sculpting and making stop motion or clay motion short films, among other things.

At this time, Akiane does not want to pursue a degree at a university.″For a true artist, life is a genuine academy in which to learn.I’m always both a learner and a teacher at the same time.Since I was eight years old, I have been instructing youngsters in the arts.

  1. In my current position, I am a co-founder of the Akiane Arts School at Foreli Academy, where we are now accepting new students.
  2. As a lifelong learner, I am always motivated to try new things and venture into uncharted territory.″ ″Unknown areas″ that Akiane has explored seem to concentrate mostly around her spirituality, which she depicts in her paintings with such passion and zeal that her works appear to almost come to life in their own right.
  3. An example of this is the artwork named ″The Angel,″ which connects with the purity and love that Akiane frequently speaks of.
  4. The gossamer-like robe that surrounds the angel contributes to the painting’s airy, ephemeral atmosphere, pulling the viewers in and making them yearn for more information.
  1. Thanks to Akiane, who provided the following explanation concerning ″The Angel″: ″…
  2. Sometimes we encounter some angels that seem as people, and we are unaware of it.
  3. ″…
  4. Many of us have been spared from several accidents, and we are completely unaware of it.

We should take advantage of any safe moment that comes our way.To depict the role of the guardian angels, I combined many dimensions in this painting: with wings that are invisible to human sight, but visible through the see-through energy barrier, the youthful angel is rescuing a falling infant without any strain, difficulty, or fear.Her backdrop is made up of gold, copper, and brass, which represent providence, law, and safety, respectively.It is simple for an angel to preserve our physical bodies; nevertheless, it is difficult for her to accept that, according to God’s commandments, she must occasionally allow someone to fall or be injured.In addition, I have no recollection of why…″ It is impossible to ignore the beauty and amazement elicited by Akiane’s works.In addition, it is impossible to ignore the beauty of the artist herself.

  1. She embodies a certain kindness and beauty that radiates from within her till it reaches her face.
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Last Supper

  • Last Supper, Italian Cenacolo,one of the most famous artworks in the world, painted by Leonardo da Vinci probably between 1495 and 1498 for the Dominican monastery Santa Maria delle Grazie in Milan.
  • It depicts the dramatic scene described in several closely connected moments in the Gospels, including Matthew 26:21–28, in which Jesus declares that one of the Apostles will betray him and later institutes the Eucharist.
  • According to Leonardo’s belief that posture, gesture, and expression should manifest the “notions of the mind,” each one of the 12 disciples reacts in a manner that Leonardo considered fit for that man’s personality.
  • The result is a complex study of varied human emotion, rendered in a deceptively simple composition.


  • It was common practice in 15th-century Italy to depict the Last Supper on the walls of monasteries and convents, so that nuns and monks might have their meals in the midst of Jesus’ last meal.
  • It appears that Leonardo’s rendition is well-organized, with Jesus at the center of a large table and the Apostles to his left and right.
  • He is dressed in the conventional red and blue robes and has a beard, but Leonardo did not bestow on him the traditional halo as is customary.
  • Some academics have hypothesized that the halo is created by the light from the window behind him, while others have suggested that the inferred lines of the pediment above the window are responsible for the illusion.
  1. Alternatively, other scholars think that the absence of the missing feature may also indicate that Jesus is still a human being who, as such, will be subjected to the agony and suffering of the Passion.
  2. Ultimate Art Quiz from Britannica Inc.
  3. This quiz will bring you in touch with your artistic side, whether it’s through symbolism or sculpting.
  4. The scene is not a depiction of a single fixed instant, but rather a representation of a series of successive moments.

In response to Jesus’ announcement of his impending betrayal, the Apostles retaliate.When Philip, who is seated in the group on Jesus’ left, makes a gesture toward himself, it appears as if he is saying ″Surely not I, Lord?″ ″The one who has dipped his hand into the bowl with me will betray me,″ Jesus appears to say in response to the question (Matthew 26:23).Jesus and Judas, who is seated with the group to Jesus’ right, both reach for the same dish on the table between them at the same time, a gesture that identifies Judas as the betrayer.Jesus also makes a gesture toward a goblet of wine and a piece of bread, which appears to be a reference to the institution of the Holy Communion ritual.The Apostles’ anger is in stark contrast to Jesus’ placid demeanor, which he maintains by lowering his head and gaze.It is in groups of three that they maintain their varied postures, which include rising, falling, stretching and intertwining.

The skeptical Thomas, hunched behind James and pointing skyward, appears to inquire, ″Is this God’s plan?″ James the Greater, to Christ’s left, throws his arms out in anger, while the disbelieving Thomas, to Christ’s right, throws his arms out violently.His gesture foreshadows his eventual reunion with the resurrected Christ, a scene that was frequently shown in art as Thomas putting his fingers to touch Christ’s crucifixion scars in order to assuage his concerns about the resurrection.Jesus’ right-hand man, John, looks to be swooning, and Peter walks toward him.

Peter is distinguished by the knife in his hand, which he would use to slice the ear of a soldier attempting to capture Jesus later in the day.As Peter approaches, Judas, clutching the purse that contains his payment for identifying Jesus, appears to be terrified by the other Apostle’s fast movement.There appears to be whispering, crying, and debating among the Apostles’ remaining members….The lunch takes place in a space that is practically devoid of decoration, allowing the observer to concentrate on the event taking on in the foreground.

In the front and rear of the room, dark tapestries adorn the walls, and the back wall is dominated by three large windows that gaze out into an undulating landscape reminiscent of Milan’s countryside.Leonardo portrayed space by employing linear perspective, a method that was found in the Renaissance and that uses parallel lines that converge at a single vanishing point to produce the sense of depth on a flat surface to create the appearance of depth on a flat surface.He positioned the vanishing point at the right temple of Jesus, so bringing the viewer’s attention to the major topic of the painting.

Although linear perspective appears to be a systemized approach of producing the appearance of space, it is confounded by the fact that it is dependent on a single point of reference.Any viewing angle other than the vantage point exposes a somewhat distorted painted space due to the distortion of the painted space.Later, experts established that the Last Supper was observed from a vantage point around 15 feet (4.57 metres) above the earth.Due to the fact that the painting’s bottom edge is 8 feet (2.44 metres) above ground, it is likely that Leonardo chose this rather high height because viewing the picture from the ground would have only allowed visitors to see the underside of the table and not the activity taking place above.As a result, the painted space of the Last Supper appears to be at odds with the refectory area on every occasion it is depicted.

It is one of a number of visual contradictions that have been identified in relation to the artwork by academics.Also observed is that the table is significantly too huge to fit in the portrayed room, yet it is not large enough to accommodate the 13 men, at least not along the three sides where they are seated (see photo).The picture, which appears to be straightforward and well-organized, is actually a perplexing solution to the problem of producing the appearance of three-dimensional space on a flat surface.


  • The wall painting was commissioned by Ludovico Sforza, the Duke of Milan and Leonardo’s patron, during Leonardo’s first lengthy visit in the city, and was completed in 1510.
  • The coats of arms of the Sforza family are shown on the three lunettes above the mural, along with the family’s initials.
  • After starting in 1495 and working slowly, with extensive intervals between sessions, until he finished the painting i

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