How Long Is Jesus Christ Superstar

Jesus Christ Superstar

Those interested in purchasing group tickets for ten or more people can do so by calling Broadway In Chicago Group Sales at (312) 977-1710.

  • Running at the Cadillac Palace Theatre from July 19 through December 31, 2022
  • Running time: 90 minutes with no intermission.

Our audiences are compelled to wear masks throughout our performances. Other criteria may be introduced or eased as a result of the changing guideline environment. for further information. It was a record that spurred on a REVOLUTION. A DISCOVERY that altered the course of history. A REINVENTION for the millenium that is now under progress. Jesus Christ Superstar is a legendary musical phenomenon with a devoted following across the world. A new fascinating production is coming to North America to commemorate the 50th anniversary of the company.

The production is currently touring the United States and Canada.

The musical Jesus Christ Superstar, with music by Andrew Lloyd Webber and lyrics by Tim Rice, is set against the backdrop of an astonishing series of events during the last weeks of Jesus Christ’s life, as seen through the eyes of Judas Iscariot.

The renowned score included songs such as ‘I Don’t Know How to Love Him,’ ‘Gethsemane,’ and ‘Superstar,’ all of which reflect the rock roots that defined a generation.

JESUS CHRIST SUPERSTAR is suited for children aged ten and up.

Here’s How Long ‘Jesus Christ Superstar Live’ Will Run, So Grab That Popcorn Now

If you’re a lover of musical theater, John Legend, or simply a general enthusiast of must-see huge television events, you almost certainly have something planned for Sunday, April 1. Jesus Christ Superstar Live will be broadcast on NBC for one night only, in a televised spectacle of superstar proportions, and will be a star-studded affair. The popular musical by Andrew Lloyd Webber and Tim Rice is the latest classic to be broadcast live on television. If watching Jesus Christ Super Live is on your to-do list, you might be wondering how long the broadcast will go.

  • The running duration is comparable to that of going to a real theater, except that you can watch it from the comfort of your own sofa, with food and a nearby restroom at your disposal whenever you choose.
  • Make yourself at ease, folks.
  • ET.
  • Nice Guy” Cooper are among the musical heavyweights who appear in the rock opera.
  • After being nominated for five prizes at the 26th annual Tony Awards, it came up empty-handed, much to the dismay of its loyal fans.
  • Now it’s up to NBC to bring it back to life for a wider audience.
  • He’s a little bit of a huge deal.

She’ll be taking on the character of Mary Magdalene in the production.

Having industry veterans on board for such a high-pressure musical event, especially considering their extensive experience playing live, seems like the best course of action for such a demanding occasion.

I’ve done a lot of live concerts throughout the years, so I’m comfortable with it.

This is highly regarded stuff!

Legend was also asked if he was aware that, as a result of his television performance, he now had a second chance to win the coveted EGOT.

If everything goes according to plan.

I’m simply trying to perform a decent job and treat the materials with respect “He made a statement.

His song “Glory” from the filmSelma earned him an Oscar.

He also has 10 Grammy Awards to his credit since he is one of the most successful musicians of the previous several decades.

Sara Bareilles has a wealth of experience in the theater from which to draw.

“When you’re a concert artist, the audience is the reason you’re there,” the “Love Song” diva remarked to Playbill about her experience with Jesus Chris Superstar.

The ability to genuinely assist divert from the concept that there are cameras at all would be appreciated. “Just play to the audience and perhaps it will transcend” will be beneficial. The live broadcast of Jesus Christ Superstar will air on NBC on Sunday, April 1 at 8 p.m.

Jesus Christ Superstar

What’s the big deal? Jesus Christ Superstar, the first musical by Andrew Lloyd Webber and Tim Rice to be created for the professional stage, has astonished audiences for more than 40 years. The rock opera, which is a timeless masterpiece, is set against the backdrop of an astonishing and universally-known chain of events, but it is viewed through the eyes of Judas Iscariot, which is a first for the genre. Superstar, which is loosely based on the Gospels of Matthew, Mark, Luke, and John, follows Jesus Christ during his last week on earth.

Some of the most well-known songs from the film’s famous 1970s rock score include “Superstar,” “I Don’t Know How to Love Him,” and “Gethsemane.” Superstar, a real worldwide phenomenon that is a great choice for schools, community theaters, and professionals alike, continues to inspire new generations of audiences and artists with each performance.

  • Given that no one was interested in supporting their proposal for a stage play, the duo began by recording the song “Superstar,” which was sung by Murray Head, at the end of 1969.
  • The record’s enormous commercial success (the album peaked at number one) sparked widespread interest in seeing it performed live, andJesus Christ Superstardebuted on Broadway at the Mark Hellinger Theatre in October 1971.
  • The next year, the production in the United Kingdom opened, with Paul Nicholas in the lead role.
  • In addition to its three Broadway revivals, the most recent of which took place in 2012, Superstar was most recently performed in London in a multi-award-winning Regent’s Park Open Air Theatre production at the Barbican in 2019.

On Easter Sunday, April 1, 2018, NBC broadcasted a live concert version of the show, which featured John Legend in the role of Jesus, Sara Bareilles in the role of Mary Magdalene, Brandon Victor Dixon in the role of Judas, Alice Cooper in the role of King Herod, Norm Lewis in the role of Caiaphas and Ben Daniels in the role of Pilate.

  1. “With God on Our Side” is a song about the life of Judas Iscariot.
  2. Rice was not the subject of the article; instead, it was the outcome of a journalist’s prank during an interview with Rice.
  3. Meanwhile, several radio stations in the United States broadcast the entire double album without intermission.
  4. Agnetha Fältskog, a member of the Swedish pop group ABBA, played Mary Magdalene in the 1972 performance.

He termed the show Superstart. Ben Forster was victorious. scribe for Matilda and the Groundhog Day Judas was played by Tim Minchin, and Mary was represented by Melanie C of the Spice Girls.

Jesus Christ Superstar

This website makes use of cookies and other similar technologies in order to provide you with a better browsing experience, monitor site traffic, and tailor content for you. By continuing to use this website after clicking “I Accept” on this banner, you are indicating your agreement to the usage of cookies. More information on how we use cookies may be found in our Privacy Notice. Segerstrom Hall is the location for this event. Tickets start at $40.00 and go up from there. In the words of the New York Times, it was “an adrenaline-pumping production.” It was a record that spurred on a REVOLUTION.

  • A REINVENTION for the millenium that is now under progress.
  • This performance, which will appeal to both theatergoers and concert music aficionados, pays homage to the historic 1971 Billboard Album of the Year while also presenting a modern, dramatic setting that is both innovative and exciting.
  • The renowned score included songs such as ‘I Don’t Know How to Love Him,’ ‘Gethsemane,’ and ‘Superstar,’ all of which reflect the rock roots that defined a generation.
  • We are thrilled to be able to provide this special bundle and to collaborate with our new neighbor, the Collage at Bloomingdale’s, on this project.
  • It has SOLD OUT for our 8:00 p.m.
  • Our sincere thanks for your positive response to these packages; we will make every effort to collaborate with other establishments in the future!
  • Duration (approximately): 1 hour and 30 minutes without an intermission All ticket holders must wear a mask and provide confirmation of complete immunization against COVID-19, or a negative COVID-19 PCR test taken within 72 hours of the performance, in order to enter the theater.

Program Info

Broadway ProductionsMusicals

Who are you? What have you sacrificed?

This Olivier Award-winning new production of Andrew Lloyd Webber and Tim Rice’s breakthrough musical, which just completed a successful run in London, continues to dazzle audiences on tour. Director Timothy Sheader adapts the biblical tale to the 21st century with a rousing rock and funk score, removing the more exaggerated elements of the original production to create a genuinely rocking production. The show, which began life as a concept album in 1970, was ALW’s first Broadway production, debuting in New York City in 1971 before moving on to London the following year.

Superstar, which includes the well-known songs “Superstar” and “I Don’t Know How to Love Him,” is a wonderfully powerful musical that continues to garner a significant following throughout the world.

What is Jesus Christ Superstar About?

Jesus Christ Superstar is a dramatic rock opera based on the Gospels that chronicles the last week of Jesus’ life, with a strong emphasis on his connection with Judas Iscariot. This production, which is imbued with current sensibilities as well as contemporary political and social topics, is about a very human Jesus Christ, who must come to terms with his imminent death.


Opening night is scheduled for October 13, 2021.


Two hours and ten minutes have elapsed.


It is possible that you will be needed to have had a COVID vaccination or to have documentation of a negative test in order to attend this performance. More information about this may be obtained by contacting the venue directly.


Aaron LaVigne takes on the role of Jesus. Judas is played by James Delisco Beeks. Caiphas is played by Jenna Rubaii in the role of Mary Alvin Crawford. Pilate is played by Tommy Sherlock. Annas is played by Tyce Green. Jesus and Judas are represented by Christian A. Guerrero on the sidelines. Ensemble There are a total of 15 actors in the cast: David Andre, Sara Andreas, Courtney Arango, Wesley J. Barnes, Milena J. Comeau, Lydia Ruth Dawson, Derek Ferguson, Brian Golub, Brittany Rose Hammond, Garfield Hammonds, Quiana Holmes, Darrell T.


Andrew Lloyd Webber composed the music. Tim Rice wrote the lyrics for this song. Timothy Sheader is in charge of the direction.


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Jesus Christ Superstar

Jesus Christ Superstar is a timeless masterpiece that has stunned audiences across the world for more than 40 years. It is set against the backdrop of an astounding and universally-known chain of events, but it is viewed through the eyes of Judas Iscariot. The tale, which is recounted entirely via song, delves into the personal connections and hardships of Jesus, Judas, Mary Magdalene, his disciples, his supporters, and the Roman Empire, among others. Some of the most well-known songs from the film’s famous 1970s rock score include “Superstar,” “I Don’t Know How to Love Him,” and “Gethsemane.” After being published as a concept album, the musical was staged at the Mark Hellinger Theatre on Broadway in 1971 and ran for three seasons.

It had become the longest-running musical in the history of the West End by the time it ended, having played 3,358 performances by the time it closed.

There have been two film versions of the book: the first, starring Ted Neely, Carl Anderson, and Yvonne Elliman, was produced in 1973, and the second, with Glenn Carter as Jesus and Jérôme Pradon as Judas, was filmed in 2000. Jesus Christ Superstar

WHAT METHOD WILL I USE TO RECEIVE MY TICKETS? We recommend that you choose for mobile tickets as your mode of delivery in order to avoid having to enter your information manually. Using a mobile device, you may show your mobile tickets, print them, or access them using the Mirvish App. Tickets can be ordered over the mail or picked up at the Box Office. Please double-check the Box Office hours before making your way to the theater. Is it necessary to wear masks at the theatre? During their visit to the theatre, all guests and personnel will be forced to wear a mask that completely covers their nose, mouth, and chin at all times during their stay.

It is not permissible to use neck gaiters or bandannas.

Yes, confirmation of immunization in its whole is necessary.

Proof of Vaccination is required.

  • It is necessary to have received the entire series of a World Health Organization (WHO) approved COVID-19 vaccine or a combination of authorized vaccinations at least 14 days previous to the performance date. Information may be shown on a mobile device or printed out in its entirety. Customers who had their vaccinations in Ontario can view their records at
  • For patrons who obtained their immunizations outside of Ontario, papers can be accessible at Identification from the government (such as a driver’s license, health card, or passport) that corresponds to the evidence of complete immunization documents

Children under the age of 12 are not permitted.

  • Children under the age of 12 must have a negative COVID-19 rapid antigen test performed by a healthcare practitioner within 72 hours of the performance start time in order to participate in the performance. A variety of rapid antigen tests are offered at Shoppers Drug Mart. Attempts to administer self-administered home tests will not be allowed.

Exemptions for Medical Reasons

  • Patients unable to get vaccinations due to medical reasons must submit documented documentation of the cause, supplied by either a physician or a nurse practitioner, as well as a completed COVID-19 medical exemption form to the vaccination station. Patrons who are unable to be vaccinated due to their religious or creed beliefs must present a letter from a religious or creed leader outlining their affiliation with the religion or creed and the reason for their refusal to be vaccinated, as well as a completed COVID-19 religious or creed exemption form. Audience participation forms may be acquired by contacting [email protected]. Additional documentation, such as a negative COVID-19 quick antigen test from a healthcare professional performed within 72 hours of the performance start time, must be submitted with the documentation. At-home exams conducted by the participant will not be approved. The admission of those who are unable to submit this documentation will be denied.

Patrons who are unable to produce this documentation will be denied admission. WHAT EXTERNAL SAFETY MEASURES ARE YOU PLANNING TO INSTALL? It will provide comfort to our audiences to know that new safety measures have been implemented, including the requirement that all staff and patrons be fully vaccinated, enhanced cleaning procedures, sanitization stations strategically placed throughout the theatres, and state-of-the-art ventilation systems to ensure a robust exchange of fresh air. For additional details, please see ourAudience Safety Measures page.

  • What amenities will be available at the theatre?
  • The coat check service is now available.
  • Do not enter the theatre if you or any member of your party is under quarantine or isolation, if you have come into contact with someone who has COVID-19, if you are experiencing any symptoms of COVID-19, or if you have tested positive for COVID-19.
  • Please contact Audience Services by phone at 1.800.461.3333 or by email at [email protected].

In compliance with our privacy policy, all information obtained for the purpose of selling a ticket or locating a contact will be kept on file.

Jesus Christ Superstar Tickets – 2022 Jesus Christ Superstar Tour

The rock operaJesus Christ Superstar, with music by acclaimed composer Andrew Lloyd Webber and lyrics by Tim Rice, portrays the conflict between biblical figures Judas Iscariot and Jesus Christ. The story revolves around the events that took place during Jesus’ last week on earth, culminating in his crucifixion. It premiered on Broadway in 1971 and featured Jeff Fenholt as Jesus, Ben Vereen as Judas, Bob Bingham as Caiaphas, Barry Dennen as Pilate, Yvonne Elliman as Mary Magdalene, and Kurt Yaghjian as Annas.

Since its Broadway premiere, the show has become a national success, with performances in theaters all over the country, including the Chanhassen Dinner Theater in Minneapolis, Minnesota, where it is currently playing.

Fans from all around the world are clamoring for Jesus Christ Superstar tickets in order to obtain a fresh perspective on this global subject.

Frequently Asked Questions About Jesus Christ Superstar

The tale of Jesus’ final seven days is told through the perspective of Judas Iscariot, the apostle who betrayed him, in the Broadway musical Jesus Christ Superstar.

How much are Jesus Christ Superstar tickets?

The price of Jesus Christ Superstar tickets on the secondary market can vary significantly based on criteria such as location, day of the week, season, and other considerations, among other things. Tickets for Jesus Christ Superstar may be bought for as little as $27.00, but the national average is $127.00, according to Ticketmaster.

How to get cheap Jesus Christ Superstar tickets?

It is possible to find inexpensive Jesus Christ Superstar tickets, with prices as low as $27.00 per ticket. Additional to this, once you have selected your favorite event date, click on the “sort by price” option situated in the upper left hand corner of the event page to sort all available Jesus Christ Superstar tickets by the lowest priced tickets currently available.

What’s Jesus Christ Superstar’s tour schedule?

The following is a list of the Jesus Christ Superstar tour dates for 2020.

Dates City Location
Jan 14 – Jan 19, 2020 Des Moines, IA Des Moines Civic Center
Jan 21 – Jan 26 Minneapolis, MN Orpheum Theatre
Feb 4 – Feb 9 Detroit, MI Detroit Opera House
Feb 11 – Feb 16 Buffalo, NY Sheas Performing Arts Center
Feb 18 – Feb 23 Rochester, NY Rochester Auditorium Theatre
Feb 25 – Mar 1 Hartford, CT The Bushnell
Mar 3 – Mar 8 Nashville, TN Andrew Jackson Hall
Mar 10 – Mar 29 Cleveland, OH Connor Palace
Mar 31 – Apr 5 Providence, RI Providence Performing Arts Center
Apr 7 – Apr 12 Philadelphia, PA Academy of Music Philadelphia
Apr 14 – Apr 26 Washington, DC Kennedy Center Opera House
Apr 28 – May 10 Dallas, TX Music Hall at Fair Park
May 26 – May 31 Tampa, FL Carol Morsani Hall
Jun 2 – Jun 7 Durham, NC Durham Performing Arts Center
Jun 9 – Jun 21 Cincinnati, OH Aronoff Center for the Arts
Jun 23 – Jun 28 Miami, FL Ziff Ballet Opera House at Adrienne Arsht Center
Jul 28 – Aug 2 Charlotte, NC Belk Theater
Aug 4 – Aug 9 Greenville, SC The Peace Center for the Performing Arts
Aug 11 – Aug 23 Chicago, IL Cadillac Palace Theatre
Aug 25 – Aug 30 Dallas, TX Music Hall at Fair Park

What is the recommended age for Jesus Christ Superstar on Broadway?

The majority of concerts will include a suggested age limit as well as a minimum age requirement. In general, children under the age of four are not permitted to see Broadway musicals on the West End. The film Jesus Christ Superstar is aimed towards children aged 10 and higher.

How long is Jesus Christ Superstar?

The running time of Jesus Christ Superstar, including one intermission, is roughly 2 hours and 15 minutes.

What should I wear to Jesus Christ Superstar?

In the case of Jesus Christ Superstar, there is no specified dress requirement. Some people prefer to dress up, while others prefer to wear jeans. Things that are overly casual, such as tank tops and cut-off shorts, should be avoided at all costs.

Who’s in the original cast of Jesus Christ Superstar on Broadway?

The original case of Jesus Christ Superstar consists of the following elements:

Character Cast
Jesus Christ Jeff Fenholt
Judas Iscariot Ben Vereen
Mary Magdalene Yvonne Elliman
Caiaphas Bob Bingham
Pontius Pilate Barry Dennen
Annas Kurt Yaghjian
Simon Zealotes Dennis Buckley
Peter Michael Jason
King Herod Paul Ainsley

How to buy Jesus Christ Superstar broadway tickets

When it comes to browsing, finding, and purchasing Jesus Christ Superstar Tickets, SeatGeek is the finest option.

  1. Take a look at the above list of Jesus Christ Superstar tickets to see if there is one that you would want to attend. Once you’ve determined the most convenient day and show time, click on the button on the right-hand side of the event to see all of the tickets currently available for that performance. On the left-hand side of the screen, you can see all of the Jesus Christ Superstar tickets that are currently available. Tickets may be filtered by price using the filters at the top of the page, or by SeatGeek’s Deal Score feature, which evaluates tickets based on their value and informs you just how good of a deal you’re getting. On the right-hand side, you can use SeatGeek’s interactive maps to find the ideal seating section and get a preview of what a view from a seat in that section will look like
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Rebooted ‘Jesus Christ Superstar’ 50th anniversary tour gets off to stunning start in Cleveland

The 50th anniversary tour of “Jesus Christ Superstar” is currently on stage at the Connor Palace in Playhouse Square and will run until Sunday, February 20. Aaron LaVigne is starring in the production. THE CITY OF CLEVELAND, Ohio – The epidemic may have put a halt to the 50th anniversary tour of “Jesus Christ Superstar,” but it was unable to prevent it from continuing. This is a spectacle that really must continue on. Once the curtain at the Connor Palace opened on Tuesday and the Mob Leader began her physical taunting, the emotional rollercoaster was in full swing, with the pace already too high to be slowed down.

  1. This novice to the play is unable to comment on how the 50th anniversary tour, which was interrupted at Playhouse Square in March 2020 and has since been reopened, compares to earlier versions of the classic by Tim Rice and Andrew Lloyd Webber and their collaborators.
  2. It’s gritty, fast-paced, aesthetically arresting, and filled with talent, and it’s available on Netflix now.
  3. The event’s 11-piece rock combination is backed up by 22 local musicians who perform on the front balconies, adding to the already tremendous impression of the show.
  4. However, the aesthetics are no less captivating.
  5. The centerpiece of the set is a massive cross that is laying face-down in the soil, as if it were accidentally placed there.
  6. When Judas receives his silver, his hands change that hue, staining them for all time, and the 39 lashes on Jesus are nothing more than a sprinkling of gold powder strewn across naked skin.

He hits every note, no matter how high, and he frequently performs with a guitar, either alone or with the rest of the onstage “crowd.” The strong vocal energy and melancholy that he delivers to his depiction dazzles the ears while simultaneously tugging at the emotions in a single long breath.

  1. He’s right there with us while we go through this horrible ordeal.
  2. Both have energizing physical presences and are accomplished artists with powerful, expressive vocals.
  3. Tommy Sherlock portrays Pilate, a hard-rocking punk who is everything but one-dimensional in his performance.
  4. Alvin Crawford is a booming, resonant Caiaphas, while Tyce Green shines out as an electrifying Annas in this production.
  5. Even the audience is worth mentioning.
  6. They execute their dance motions and musical responsibilities with remarkable fervor.
  7. REVIEW What: “Jesus Christ Superstar” is a musical about Jesus Christ.
  8. Showtimes are subject to change.

Connor Palace is located at 1615 Euclid Ave. in Cleveland’s Playhouse Square. Tickets:$59-$159. For more information, visit or call 216-241-6000. Please keep in mind that if you purchase something after clicking on one of our affiliate links, we may receive a fee.

10 Things You Might Not Know About Jesus Christ Superstar

In the 1970s, an opera about Jesus of Nazareth played a pivotal role in bridging the gap between rock ‘n’ roll and musical theater audiences. Despite the fact that the radical songs from Jesus Christ Superstar split religious organizations, they dominated the Billboard charts. The production also heralded the beginning of Broadway’s “British invasion” in the 1970s and 1980s, laying the groundwork for such mega-hits as Cats and Les Miserables to take the stage. In 2018, NBC broadcasted a live rendition of the play, which included John Legend as Jesus and Sara Bareilles as Mary Magdalene.


Joseph and the Amazing Technicolor Dreamcoat, written by Tim Rice and Andrew Lloyd Webber and initially performed in 1965 when they were 20 and 17 years old, had their first taste of joint triumph with Joseph and the Amazing Technicolor Dreamcoat in 1968. Following that, the team turned their attention to another Biblical figure: Jesus of Nazareth. The two of them had a concept for a bold new rock musical that would recount the tale of Christ’s betrayal and execution from the perspective of Judas Iscariot.

It’s possible that the seeming setback was a blessing in disguise.

In Rice’s words, “doing it on record” made it shorter, eliminated the book, made it more modern, made it more rock, gave it more energy, and helped it to be more identifiable with a younger audience.

We didn’t realize it at the time because, in large part because of Andrew’s encouragement, we were attempting to compose for the stage rather than for the album.


In the hymn “With God on Our Side,” the line “Did Judas Iscariot have God on his side?” was sung by Judas Iscariot himself. Tim’s beginning point for the text, according to Lloyd Webber, who subsequently explained the line. In any case, Iscariot was not an ignorant guy, and how much of the final outcome was a result of what was necessary given the political climate of the time?” According to Rice, Judas Iscariot is depicted in the Bible as a “cardboard cut-out image of wickedness,” and he set out to humanize Judas in Superstar.


In a 2015 interview, the composer said that he couldn’t remember precisely when the now-iconic tune initially came to him, but that he did remember that he had forgotten it: “What I do remember, though, is that I forgot it.” When the song sprang back into his thoughts one day in 1969 when he was strolling along London’s Fulham Road, he was thrilled. “I happened to be passing a restaurant. It was named Carlo’s Place, and the proprietor was someone I knew a little bit. I walked into the restaurant and asked for a sheet of paper, which they gladly provided.” He recalled what had happened.


Rice and Lloyd Webber collaborated on the song “Kansas Morning,” which was created as a tribute to the Sunflower State and released in 1967. In the lyrics of one song, “I adore the Kansas morning,” the singer said. “I’m looking out my window at Kansas mist.” Later, while working on the score for Superstar, the musicians reworked an old song and added new words, giving birth to Mary’s Act I solo. Webber has agreed that the tune does resemble a subject from Felix Mendelssohn’sViolin Concerto in E Minor, which he composed for his daughter (1845).

“That was something I simply took in.”


While rounding up vocalists for the concept album, Lloyd Webber visited the historic Pheasantry Club in Chelsea to see if a jazz singer performing there would be a good fit for Pontius Pilate. “I decided he was quite wrong for the part,” Lloyd Webber toldThe Daily Mailin 2012, “but his warm-up act—a gorgeous 17-year-old Hawaiian girl called Yvonne Elliman accompanying herself on the guitar—was extraordinary. Everything I had wished for Mary Magdalene was there in front of me.” He called Rice, who “agreed that we had found our Mary.” Elliman would become the album’s only singer to reprise her role on Broadway, with the 1971arena tourof the show, and inJesus Christ Superstar ’s 1973 film adaptation.


The original Superstaralbum, which consisted of two discs, was published in September 1970, and by February 1971, it had risen to the top of the Billboard charts. Soon after, American fans began organizing illegal live performances in churches and theaters around the country, prompting producer Robert Stigwood to suggest that an officialJesus Christ Superstarconcert tour be staged in conjunction with the film. The inaugural performance was held on July 12, 1971, at the Civic Arena in Pittsburgh, Pennsylvania.

Many critics, including Clive Barnes of The New York Times, were critical of the production, which was directed by Tom O’Horgan.

It all had a certain resemblance to the first time one saw the Empire State Building.

Lloyd Webber, on the other hand, disliked it to the extreme.


“It’s a hot topic right now.” According to entertainment journalist Tim Cainonce, “Christina Aguilera’s performance of the national anthem before the Super Bowl was a flub.” “When it was first launched, there was a lot of controversy around it.” The Anti-Defamation League of B’nai B’rith and the American Jewish Committee both expressed their opposition to the program. The American preacher Billy Graham was likewise not a fan of the musical, accusing it of bordering on “blasphemy and sacrilege” and expressing his displeasure with the fact that it does not include the resurrection.

leads young people to explore their Bibles, to some extent it may be useful.

However, a small number of groups came to its aid.


“It’s a hot topic right now. According to entertainment journalist Tim Cainonce, “Christina Aguilera’s performance of the national anthem before the Super Bowl is a flub.” “When it was first launched, there was a lot of controversy around it. The Anti-Defamation League of B’nai B’rith and the American Jewish Committee both expressed their displeasure with the program. He accused the musical of bordering on “blasphemy and sacrilege” and expressed displeasure with the fact that it omitted the Resurrection.

It is impossible to believe in Christianity unless the Resurrection occurs.

inspires young people to explore their Bibles, to some extent it may be useful.

Fewer groups, on the other hand, have come to its aid.

An official papal spokesperson stated that “nothing like this has ever been aired before,” but that “we believe this is a work of significant value.”


The next year, Richard O’Brien joined the London production of Superstar, which he had previously performed in with the touring cast of Hair. In an interview with Pink News, he explained that he had signed a contract to perform in the chorus for three months before taking on the part of Herod. O’Brien’s Herod, on the other hand, was a conceited Elvis impersonator, and the powers that be were unimpressed. “When it came down to it, they decided they didn’t want me to be Herod. “They handed me three hundred pounds and told me to get out of there,” O’Brien stated.

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I was enraged by the fact that they had the audacity to refer to Superstar as a rock opera.

WritingRockywas a delight since my passion for authentic rock and roll served as the inspiration for the songs.”


Superstar, a televised competition in the manner of The Voice, was introduced by the British television network ITV in 2012. There was a new Jesus Christ Superstar concert tour in the works in the United Kingdom at the time, and the series, which was created by Lloyd Webber, allowed scores of hopefuls to compete for the role of Jesus on the big screen. Finally, Ben Forester, a Sunderland local, was crowned the winner; he went on to perform on the tour alongside former Spice Girl Mel C. (who also served as a judge on the show).

‘Jesus Christ Superstar’ at 50: What Was the Buzz?

During the Broadway production of “Jesus Christ Superstar” in 1971, Jeff Fenholt played the role of Jesus of Nazareth. Photo credit: F. Friedman-Abeles courtesy of the New York Public Library for the Performing Arts When Yvonne Elliman, an 18-year-old singer and guitarist from Hawaii, had just completed singing at a London nightclub when a frantic young man rushed the stage, Yvonne was taken aback and nearly killed. a wide-eyed, 22-year-old Andrew Lloyd Webber exclaimed, referring to you as “my Mary Magdalene!” She said that she had been unfamiliar with the biblical account during a recent phone discussion: “I believed he meant the mother of God.” Elliman, now 69, said she mistook him for the mother of God during her phone chat.

  1. “He was like, “No, no, no, no, it’s not the mother,” he said.
  2. The musical, which premiered on Oct.
  3. Thus, it brought together rock and musical theater, opening the way for works such as “Les Misérables” and “The Phantom of the Opera,” as well as the British invasion of Broadway in the 1970s and 1980s.
  4. During a recent phone chat, Lloyd Webber, 73, shared his thoughts on the production’s staging: “We had no idea how it was going to be produced.” The album wasn’t a compilation of rock music or something like that.
  5. 1 on the Billboard charts by February 1971.
  6. Rice, 76, the show’s lyricist, stated in a video chat from his home in Buckinghamshire, England, that he and his colleagues were “stunned” by the success.
  7. And with a somewhat contentious title to boot.
  8. When I arrived at the hospital, I was instructed to apply pressure on a female who had been in an automobile accident.” I couldn’t think of anything to say, so I just held her hand and sat with her.

Nevertheless, her parents wrote to me a few weeks later, stating that she had improved promptly after visiting me.”

Broadway Opening

The image is courtesy of Bettmann via Getty Images The green light was finally given to them: Broadway. The film was directed by Tom O’Horgan (Hair), who was chosen when Lloyd Webber failed to receive a telegram from filmmaker Hal Prince, who had indicated interest. “Hal Prince would have been the one guy I would have wanted to have seen do it,” Lloyd Webber stated in the interview. “Do you think things would have turned out differently? Would it have been beneficial? “I really don’t know.” With Lloyd Webber, 23, and Rice, 26, in attendance, the musical, which tells the story of Jesus’ final seven days through the eyes of one of his disciples named Judas Iscariot, premiered at the Mark Hellinger Theater on 51st Street on Friday night.

Let’s just say that Lloyd Webber and O’Horgan’s $700,000 staging of “The Phantom of the Opera” was a “brash and filthy interpretation,” and that opening night was “perhaps the worst night of my life,” according to Lloyd Webber, who would later declare the production “the definitive one.” The reviews were a mixed bag.

His description reads, “It appears to be a record that has been duplicated onstage with visual filler by Tom O’Horgan.” The show was lambasted by writer Clive Barnes of the New York Times, who wrote that it “resembled one’s first glimpse of the Empire State Building.” Nothing short of fascinating, but yet expected and of only marginal aesthetic worth,” says the author.

Cries of “Blasphemy!”

Hundreds of Christian and Jewish demonstrators turned up for the show’s opening night, carrying leaflets and denouncing what New York Times writer Guy Flatley termed “the strutting, mincing, twitching, grinding,” “souped-up ‘Superstar,'” which he described as “theatrical sacrilege.” “It would be ‘Blasphemy! Blasphemy!’ as you walked into the theater,” recalled Ben Vereen, who played Judas and is now 75 years old. The composer went on to say, “I’m not certain that Robert Stigwood, our producer, couldn’t have arranged one or two of them himself.” In retrospect, I believe it might have had a far more difficult journey today than it did then.” A number of people have accused Rice and Lloyd Webber of rejecting the divine nature of Christ and of constructing a hero out of Judas, who is unambiguously shown as a villain in the New Testament.

  • Jewish officials were concerned that the opera implied that Jews were responsible for Jesus’ execution, which they felt would inflame anti-Semitism further.
  • “However, that was not a part of our tale since, by that time, Judas was no longer alive.
  • According to Elliman, he would receive “evil emails” from people who said they intended to kill Mary in order for Yvonne to emerge once more.
  • I suppose he would have been a really gorgeous man, but not someone who was actively hunting for a relationship, says the author.

“He was a person who exuded charisma and authority. “Perhaps, and this lady is a little terrified of it, perhaps a little afraid of what she is experiencing inside herself.”

Jesus and Judas

The image is courtesy of Bettmann via Getty Images Jesus Christ, as played by Jeff Fenholt, loses his anger, questions God’s existence, and becomes a little too enamored with his own stardom. He’s just Jesus, the guy, with all of the difficulties and flaws that come with that. “He was aware of his discomfort,” Rice added. For example, “If he were merely a deity, then things like the crucifixion, which is a horrendous, horrendous kind of torture and death, wouldn’t really be a problem.” He needs to suffer, whether he is a man or a deity, because he is a human being.

  1. In the words of Lloyd Webber, “we needed a rock tenor who contrasted with the voice of Judas.” Vereen, who played Judas, was nominated for a Tony Award for her performance in the role.
  2. According to him, “Jesus did not write the book, and Judas did not write the book.” In the Gospels, all we hear is the hearsay of these guys from the disciples.
  3. Then I thought, ‘Wow, this is a very fantastic character, which I can develop on from what’s in the Bible, since there isn’t a whole lot in the Bible,'” Rice recalled.
  4. He possessed both positive and negative characteristics.
  5. After that, he conducted extensive research in the Bible and came up with a hypothesis.
  6. “And he was concerned that if he betrayed him, the Israelites would revolt and install Jesus as their leader.”

A Musical Radio Play

Image courtesy of Rolls Press/Popperfoto, courtesy of Getty Images Because the performance began as what Lloyd Webber refers to as a “musical radio drama,” which means it had to be listened to straight through for 90 minutes without any visuals “on a turntable, in those days,” he had to devise techniques to maintain the listener’s interest throughout. According to him, “a lot of it has to do with how you plant themes and how you deal with them.” “The overture was created with the goal of introducing every item that I could think of that would fit into the musical palette that would be used throughout the duration of the album.” And then those themes repeat one by one, like when the whole overture is mirrored in Jesus’ trial before Pontius Pilate, or when a song with a twist, such as “I Don’t Know How to Love Him,” reappears with a new twist.

It is a love song about Jesus to Mary Magdalene; when it returns as a motif in a lament performed by Judas, the words change: “He’s not a king, he’s just the same/As everyone I know/He worries me so.” According to Lloyd Webber, “Judas understood Jesus, and he definitely was plainly captivated with him and adored him.” Furthermore, you had this lady who was, if you believe the Bible, clearly head over heels in love with him at the same time as well.

And, of course, there’s the strange track from the musical itself.

According to Lloyd Webber, “it’s taking a traditional showbiz number and turning it into something really, really, really horrible.” This is a number that has gone horribly wrong when Herod turns around and exclaims, “Get out of my life!” “Get out of my life!” Rice made the following statement: “I believe it’s a wonderful move on Andrew’s side from a musical standpoint.

Just as everything is getting heavier and heavier and heavier, you hear a very appealing song that immediately grabs your attention. ‘Oh, well, you know, maybe it’s going to have a happy ending.’ was the kind of thing we wanted people to think when they saw the trailer.

The Show’s Legacy

After generating $1.2 million in advance sales, the Broadway production sold out nearly every performance during its first six weeks on the road. The excitement, on the other hand, was short-lived. It played for a total of 711 performances and failed to win a Tony Award despite being nominated for five awards, including one for best score. However, the musical’s legacy has endured, spawning three Broadway revivals (in 1977, 2000, and 2012), a 2012 Lloyd Webber-produced televised competition series to cast the titular role for a British arena tour, a 2018 televised NBC production that starred John Legend as Jesus and resulted in Emmy awards for Rice and Lloyd Webber — and now the 50th anniversary American tour, which was halted by the pandemic but resumed performances in Seattle late last “It’s been 51 years since the record was released.

blimey!” Rice expressed himself.

In his opinion, “without seeming immodest” (he grinned), “it’s actually rather nice.”

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